A work in constant progress (and occasional regress).
Release Date:
October 7, 2021
Original Title:
Der wilde Wald
Alternate Titles:
Bavière - La forêt reprend ses droits
Der Wilde Wald - Natur Natur sein lassen
Khu Rừng Hoang Dã
Quand la forêt reprend ses droits - Le parc national de la forêt de Bavière
Quand la forêt reprend ses droits: Le parc national de la forêt de Bavière
Rückkehr der Wildnis - Nationalpark Bayerischer Wald
Genres:
Documentary
Production Companies:
ARTE
FilmFernsehFonds Bayern
Lisa Eder Film
Nationalpark Bayerischer Wald
SWR
The Leir Foundation
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 89
“Let nature be nature” is the philosophy of the Bavarian Forest National Park. Despite massive resistance, this vision has become a groundbreaking showcase project. Because humans do not interfere with nature, the former commercial forests grow into a primeval forest, a unique ecosystem and a refuge for biodiversity. People from all over the world come here. They are looking for answers to the question of why we need more wild nature and what we can learn from it to preserve forests for future generations in times of climate change.
Additional Camera:
Felix Gundl
Florian Schuster
Heiko Knauer
Commissioning Editor:
Ute Hoffarth
Director:
Lisa Eder
Director of Photography:
Tobias Corts
Heiko Knauer
Robin Jähne
Dietmar Nill
Drone Cinematographer:
Florian Eckhardt
Tobias Corts
Heiko Knauer
Dietmar Nill
Florian Epple
Editor:
Georg Michael Fischer
Line Producer:
Maximilian Plettau
Björn Jensen
Original Music Composer:
Sebastian Fillenberg
Producer:
Lisa Eder
Sound:
Kai Ziarkowski
Marcus Kirchhoff
Berthold Kröker
Sound Re-Recording Mixer:
Tomas Bastian
Writer:
Lisa Eder
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.