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Chase Through the Night (1983) [N/A]

Release Date:
January 1, 1983

Original Title:
Chase Through the Night

Genres:
Drama | TV Movie | Thriller

Production Countries:
Australia

Ratings / Certifications:
 N/A

Runtime: 108

Overview from TheMovieDB

A group of hardened criminals on the lam take refuge in the badlands of the Australian outback. When they come across a small settlement, they take hostages in case the law shows up, but are outwitted by a supernatural force, a powerful shaman.

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Additional information:

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Performers

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Production

Additional Director of Photography:
Ross Berryman

Additional Photography:
Ross Berryman
Mark Burgin

Assistant Editor:
Michelle Cattle

Best Boy Electric:
Philip Golombick

Best Boy Grip:
Phil Golombick

Boom Operator:
Andy Duncan

Carpenter:
Rory Forrest

Clapper Loader:
Brian J. Breheny

Construction Manager:
Danny Burnett

Continuity:
Sian Hughes

Costume Design:
Fiona Spence

Dialogue Coach:
Pam Western

Director:
Howard Rubie

Director of Photography:
Ernie Clarke

Editor:
Bob Cogger

Executive Producer:
Brendon Lunney

First Assistant Director:
John Warran

Focus Puller:
Martin Turner

Gaffer:
Roger Wood

Grip:
Geoff Full

Key Grip:
Lester Bishop

Location Coordinator:
Sue Courtney

Location Manager:
Dixie Betts

Makeup Artist:
Vivien Mepham

Music Editor:
Garry Hardman
Gary Hardman

Original Music Composer:
Richard Mills

Producer:
Jim George

Production Design:
Ken James

Production Manager:
Jan Tyrrell

Production Runner:
Richard Jasek

Property Buyer:
Derrick Chetwyn

Screenplay:
Rob George

Script Editor:
Philip Pike

Second Assistant Director:
Phil Rich

Security Coordinator:
Guy Norris

Sound Re-Recording Mixer:
Julian Ellingworth

Sound Recordist:
Don Connolly

Special Effects:
Mont Fieguth

Special Effects Assistant:
Peter Brake
Colin Best

Standby Property Master:
Igor Lazareff

Story:
Max Fatchen

Stunt Coordinator:
Peter West
Peter West

Third Assistant Director:
Michael Faranda

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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