A work in constant progress (and occasional regress).
Release Date:
September 16, 2021
Original Title:
Ivie wie Ivie
Alternate Titles:
Precious Ivie
Genres:
Drama
Production Companies:
Weydemann Bros.
ZDF
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Runtime: 109
Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.
Additional Construction:
Michael Naue
Art Direction:
Daniela Grömke
Assistant Editor:
Graham McCarthy
Camera Operator:
Janis Willbold
Casting:
Karen Wendland
Costume Design:
Clara-Maria Kirchhoff
Costume Supervisor:
Esther Helin Bienroth
Data Wrangler:
Dino Weisz
Director:
Sarah Blaßkiewitz
Director of Photography:
David Schmitt
Constanze Schmitt
Driver:
Ludwig Stadler
Editor:
Emma Gräf
Executive Producer:
Jana Lotze
First Assistant Camera:
Andrea Ramirez
First Assistant Director:
Willy Kristen
Nils Strüven
Gaffer:
Sampo Lüttge
Graphic Designer:
Kati Linke
Lighting Technician:
Raban Jakob Friedrich
Location Scout:
Tobias Palmer
Makeup & Hair:
Juliane Hübner
Carlotta Ohlhoff
Ester Nyakato Rüppel
Makeup & Hair Assistant:
Kieu Anh Duong
Producer:
Yvonne Wellie
Milena Klemke
Jonas Weydemann
Jakob D. Weydemann
Production Accountant:
Ulrike Eichhorn
Production Assistant:
Arvid Schmiedehausen
Daniel Negenborn
Production Design:
Maria Nickol
Production Intern:
Johannes Prondzinsky
Simon Rüger
Props:
Hanna Klumpp
Christoph Teply
Louise Pokutta
Second Assistant Camera:
Joris Taschner
Second Assistant Director:
Dino Weisz
Sound:
Immo Trümpelmann
Steadicam Operator:
Christoph Iwanow
Stunts:
Jörg Ellmer
Technical Supervisor:
Varinka Link
Unit Manager:
Vanja Windelband
Wigmaker:
Juliane Hübner
Writer:
Sarah Blaßkiewitz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.