A work in constant progress (and occasional regress).
Release Date:
December 20, 1974
Original Title:
Finché c'è guerra c'è speranza
Genres:
Comedy
Production Companies:
Rizzoli Film
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 116
Alberto Sordi directs and interprets a corrosive comedy, another "story of an Italian" that makes you smile and reflect. An arms dealer is exposed and would like to return to an honest business. But his family does not intend to give up that bloody money.
Administration:
Sergio Giussani
Assistant Camera:
Guido Tosi
Enrico Maggi
Assistant Editor:
Gasperina Marani
Cecilia Catalucci
Boom Operator:
Benito Alchimede
Camera Operator:
Enrico Lucidi
Conductor:
Berto Pisano
Costume Design:
Bruna Parmesan
Director:
Alberto Sordi
Director of Photography:
Sergio D'Offizi
Editor:
Ruggero Mastroianni
Executive Producer:
Nino Milano
Carlo Macchi di Cellere
Carlo Bartolini
First Assistant Director:
Luigi Volpati
Carlo Vanzina
Gaffer:
Enrico D'Offizi
Hairstylist:
Romana Piolanti
Marisa Fraticelli
Key Grip:
Sergio Serantoni
Makeup Artist:
Franco Rufini
Original Music Composer:
Piero Piccioni
Producer:
Andrea Rizzoli
Production Secretary:
Lucia Nolano
Screenplay:
Alberto Sordi
Piero De Bernardi
Leonardo Benvenuti
Script Supervisor:
Vivalda Vigorelli
Second Assistant Director:
Marco Risi
Set Decoration:
Arrigo Breschi
Sound:
Domenico Dubbini
Sound Mixer:
Gianni D'Amico
Special Effects:
Eros Bacciucchi
Special Effects Supervisor:
Mario Garbuglia
Still Photographer:
Firmino Palmieri
Alfonso Avincola
Story:
Alberto Sordi
Unit Manager:
Giuseppe Dalla Pria
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.