A work in constant progress (and occasional regress).
Release Date:
November 29, 2023
Original Title:
Le temps d’aimer
Alternate Titles:
Czas na miłość
El tiempo del amor
Tid att älska
愛する時
Genres:
Drama | Romance
Production Companies:
Beside Productions
Canal+
Ciné+
Frakas Productions
France 2 Cinéma
France Télévisions
Gaumont
Les Films Pelléas
Les films du Bélier
Pictanovo
Proximus
RTBF
Région Hauts-de-France
VOO
Production Countries:
Belgium | France
Ratings / Certifications:
ES: 12 FR: TP
Runtime: 125
1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Guillaume Quilichini
ADR Supervisor:
Tom Nicolas
Additional Second Assistant Director:
Emilie Adroguer
Assistant Art Director:
Caroline Leroy
Assistant Camera:
Coline Petit
Assistant Location Manager:
Yannick Panarotto
Associate Producer:
Philippe Logie
Boom Operator:
Thomas Berliner
Carpenter:
Antoine Fenske
Gerault Etienne
Quentin Pinguet
Galien Malferiol
Casting:
Sarah Teper
Lola Diane
Casting Assistant:
Camille Nasri
Co-Producer:
Jean-Yves Roubin
Cassandre Warnauts
Costumer:
Rachel Raoult
Decorator:
Florian Sanson
Director:
Katell Quillévéré
Director of Photography:
Tom Harari
Editor:
Jean-Baptiste Morin
Electrician:
Kélig Péron
Richard Valentini
Baptiste Pelletier
Thaïs Beaufils
Louise Gagnaire
Executive Producer:
Philippe Martin
David Thion
Eva Curia
First Assistant Camera:
Frédérique Saj
First Assistant Director:
Nicolas Guilleminot
Gaffer:
Nicolas Amedeo
Graphic Designer:
Edwige Boutet
Grip:
Clément Cantier
Hugo Renard
Hairstylist:
Agathe Bernardon
Key Grip:
Renaud Anciaux
Location Manager:
Frédérique Delahaye
Location Scout:
Mathieu Laemlé
Lionel Guerrini
Makeup Artist:
Caroline Vlieghe
Music Supervisor:
Pascal Mayer
Original Music Composer:
Amine Bouhafa
Painter:
Anne Pinguet
Producer:
David Thion
Justin Taurand
Production Director:
Hélène Bastide
Property Buyer:
Jean-Noël Vincensini
Property Master:
Martin Moulron
Script Supervisor:
Anaïs Sergeant
Second Assistant Camera:
Maxence Dedry
Second Assistant Director:
Mickaël Médard
Set Decoration:
Camille Bougon-Pigneul
Sound Assistant:
Augustin Bourget
Sound Engineer:
Thomas Grimm-Landsberg
Sound Mixer:
Thomas Lachesnais
Thomas Grimm-Landsberg
Steadicam Operator:
Jake Russell
Guillaume Quilichini
Still Photographer:
Roger Arpajou
Stunt Coordinator:
Vincent Bouillon
Alexandre Vu
Stunts:
Marc David
Lucas Martinelli
Titouan Richard
Teddy Ponceau
Gary Cothenet
Third Assistant Director:
Margot Denolly
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.