A work in constant progress (and occasional regress).
Release Date:
September 3, 1999
Original Title:
The Offering
Genres:
Drama | Romance
Production Companies:
Ganymedia
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 10
An offering is passed repeatedly between a Japanese monk and a young novice as their relationship evolves from their initial encounter through their final parting.
Art Direction:
Paul Lee
Assistant Art Director:
Noriko Oka
Assistant Camera:
Cynthia Carroll
Lisa Pilcher
Assistant Director:
Dominique Cardona
Laurie Colbert
Assistant Editor:
René Albert
Eli Brown
David Coffey
Robert Di Giovanni
Paul Hasick
Associate Producer:
Joao Angelino Borges
Yumi Hirose
Vivian Huang
Takao Kawaguchi
Stewart McKeough
Jenni Olson
Roy Vinci Wadia
Peter Wilkins
Co-Producer:
Marta Dal Farra
Daisy Lee
Color Timer:
Ricardo Olivero
Continuity:
Naomi McCormack
Costume Design:
Anne Marie Maduri
Director:
Paul Lee
Director of Photography:
Antonin Lhotsky
Editor:
Miume Jan Eramo
Gaffer:
David Suddaby
Location Manager:
Daniel Hunt
Terry Shin
Makeup Artist:
Kiisti Matsuo
Negative Cutter:
Catherine Rankin
Post-Production Manager:
George Kaltsounakis
Producer:
Paul Lee
Production Assistant:
David James Fernandes
Nader Kakish
Eric Squair
Production Coordinator:
Cara Morton
Glen Norton
Production Manager:
Myrocia Watamaniuk
Juanita Huan Zhou
Production Supervisor:
Tereza Barta
Researcher:
Shannon Abel
Second Assistant Director:
Daragh Sankey
Sound Designer:
Daniel Hamood
Corby Luke
Sound Re-Recording Mixer:
Daniel Pellerin
Writer:
Paul Lee
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.