A work in constant progress (and occasional regress).
Release Date:
July 10, 2020
Original Title:
Marcelino, el mejor payaso del mundo
Alternate Titles:
Imprescindibles – Marcelino, el mejor payaso del mundo
Genres:
Documentary | History
Production Companies:
Estación Cinema
Production Countries:
Spain
Ratings / Certifications:
ES: 7
Runtime: 83
An account of the life and work of the Spanish clown, mime, acrobat and actor Marcelino Orbés (1873-1927), known as Marceline, who, between 1900 and 1914, was unanimously acclaimed as the best in the world.
Art Direction:
Beatriz Moreno Almendros
Assistant Director:
Patricia Arasa Montón
Costume Designer:
Gemma G. del Álamo
Director:
Germán Roda
Director of Photography:
Daniel Vergara Muro
Editor:
Germán Roda
Executive Producer:
Patricia Roda Amador
Graphic Designer:
Natalia Ruiz
Hairstylist:
Cecilia Acedevo
Makeup Artist:
Cecilia Acedevo
Original Music Composer:
David Angulo
Screenplay:
Germán Roda
Miguel Ángel Lamata
Sound Recordist:
Álex Ruiz
Still Photographer:
Pablo María García Llamas
Visual Effects Supervisor:
Sergio Villén
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.