Home

TÁR (2022) [R]

Release Date:
September 23, 2022

Original Title:
TÁR

Alternate Titles:
TAR
Tar
Tár
Тар
ทาร์
塔尔
塔爾

Genres:
Drama | Music

Production Companies:
EMJAG Productions
Focus Features
Standard Film Company

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 12  CZ: 12+  DE: 12  DK: 11  ES: 12  FI: K-12  FR: 12|TP  GB: 15  GR: K12  HK: IIA  HU: 18  IE: 15A  JP: G  KR: 15  MX: C|B  NL: 12  NZ: M  PL: 16  PT: M/12  SE: 7  SG: M18  TH: 15  US: R 

Runtime: 158

Obliterate Yourself.

Overview from TheMovieDB

As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Daniel Bishop
Benjamin Treplin
Florian Emmerich

"B" Camera Operator:
Ralph Kaechele
Isabelle Arnold

Additional Camera:
Daniel Erb

Additional Casting:
Katrin Vorderwülbecke

Additional Colorist:
Chris Francis

Additional Director of Photography:
Minka Farthing-Kohl

Art Department Coordinator:
Jennie Konrad

Art Direction:
Petra Ringleb
Patrick Herzberg
Suchartanun 'Kai' Kuladee
Steffen Geitner

Assistant Art Director:
Ana Saric

Assistant Costume Designer:
Daniela Backes
David Werer

Assistant Director:
Mathias Datow

Assistant Director Trainee:
Carl Bagnar

Assistant Editor:
Andrea Unterweger
Esme Hill
Maura Angioi

Assistant Location Manager:
Steffen Schweizer
Steve Sauthoff
Mario Wittmann

Assistant Production Coordinator:
Mascha Breuker

Assistant Property Master:
Magdalena Swiatek
Christian Stampfl

Assistant Set Decoration:
Marése Müller

Best Boy Electric:
Sascha Görlich

Best Boy Grip:
Felix Lohmann

Boom Operator:
Thomas Wallis

CG Artist:
Kornel Makarowicz
Adam Lindsey

CG Supervisor:
Eric Clement

Camera Operator:
Thitinun Lerdkijsakul

Camera Trainee:
Jonas Hümbs

Carpenter:
Florian Muser

Casting:
Simone Bär
Avy Kaufman
Jeremy Zimmermann
Alexandra Montag
Thitiya Tongbai

Casting Assistant:
View Lenbury
Brigitte Whitmire
Joana Müller

Casting Coordinator:
Pia Schlipphak

Clearances Coordinator:
Nicole Haeussermann

Co-Producer:
Sebastian Fahr-Brix

Color Assistant:
Jonas Jangvad
Theresa Crooks
Shing Hong Chan

Colorist:
Tim Masick

Compositing Supervisor:
Wesley Lemieux

Concept Artist:
Thomas Möhring

Construction Coordinator:
Danny Rovira

Controller:
Brenda Yoo

Costume Design:
Bina Daigeler

Costume Supervisor:
Susanne Stroh

Costumer:
Carolina Inoue
Lucía Argüello
Alexandra Staehle

Data Wrangler:
Alexandr Razgon

Dialect Coach:
Inna Resner
Franziska Roth
Francie Brown
Helen Jane Simmons
Carla Meyer

Dialogue Coach:
Franziska Roth

Dialogue Editor:
Justin Dolby

Digital Imaging Technician:
Lorenzo Zama

Director:
Todd Field

Director of Photography:
Florian Hoffmeister

Dolly Grip:
Felix Lohmann

Editor:
Monika Willi

Electrician:
Timo Musar
Alex Zeihn

Executive Producer:
Cate Blanchett
Nigel Wooll
Marcus Loges
Stephen Kelliher
Uwe Schott
Phil Hunt
David L. Schiff
Compton Ross

Executive Visual Effects Producer:
Johnny Fairburn
Chris Chard
Marc A. Rousseau

Extras Casting Coordinator:
Inthira Limthao

Extras Dresser:
Christine Schultz

Feature Finishing Producer:
François Kamffer

Finishing Producer:
Hannah Perkins

First Assistant "A" Camera:
Mike Toland
Alexis Kostudis

First Assistant "B" Camera:
Gökhan Balseven

First Assistant Accountant:
Tony Cypres

First Assistant Director:
Sebastian Fahr-Brix
John Lowe

Foley Artist:
Barnaby Smyth

Foley Editor:
Mathias Schuster

Foley Mixer:
Keith Partridge

Foley Supervisor:
Barnaby Smyth

Gaffer:
Florian Kronenberger
Tamu Bakr Jr.

Graphic Designer:
Stefanie Butscheidt
Nele-Tabea Reineke
Pimpraewa Sundaravej-Muffin
Tatiana Bastos
Henning Brehm
Sophia Burkardt

Hair Designer:
Annett Schulze

Hairstylist:
Jekaterina Oertel
Doreen Kindler
Dorothea Wiedermann
Katja Melches
Toni Coburn
Tanja Adams

Imaging Science:
Brett Rayner

Key Grip:
Bernd Mayer

Key Hair Stylist:
Lusy Chenaputtakun

Key Makeup Artist:
Na Dear Tarawan

Leadman:
Ron Büttner

Line Producer:
Chris Lowenstein
Francesca Lentini

Location Assistant:
Benjamin Kottwitz

Location Casting:
Simone Bär
Jeremy Zimmermann

Location Manager:
David Pieper
Julian Feuerstacke

Location Scout:
Joseph E. Mennella
Stefan Wöhleke
Jürgen Schwämmle
Christian Meinecke

Makeup & Hair:
Ines Ransch

Makeup Artist:
Katja Melches
Morag Ross
Emily Ansel
Dorothea Wiedermann
Doreen Kindler
Tanja Adams

Makeup Designer:
Annett Schulze

Matte Painter:
Philippe Langlois

Music Consultant:
John Mauceri
Natalie Murray Beale

Music Editor:
Gerard McCann

Music Supervisor:
Lucy Bright
Mike Knobloch

Musician:
Hildur Guðnadóttir
Sarah Martin

On Set Props:
Andrea Kessler

Original Music Composer:
Hildur Guðnadóttir

Payroll Accountant:
Volker Kellner

Post Production Coordinator:
Cody Cardarelli
Scott P. Fraser

Post Production Supervisor:
Emma Zee

Producer:
Todd Field
Scott Lambert
Alexandra Milchan

Production Coordinator:
Johnathan Bowling
Chelsea Bulloch

Production Design:
Marco Bittner Rosser

Production Executive:
Michael Dreher

Production Manager:
Apinat 'Obb' Siricharoenjit

Property Buyer:
Alexander Höcker
Fritz Jürgens
Simon Schöller

Property Master:
Sarawut Chincharoen
Martin Schultz

Scenic Artist:
Mieke Casal

Scoring Mixer:
Francesco Donadello

Script Supervisor:
Sabine Zimmer

Second Assistant "A" Camera:
Nadine Reichert
Alec Freund

Second Assistant Director:
Maria Mehnert
Henriette Ohno

Second Second Assistant Director:
Montakan Ketmala

Second Unit Director:
Arndt Wiegering

Set Decoration:
Ernestine Hipper

Set Designer:
Julian Burger
Nikolas Kouidis

Set Dresser:
Florian Radloff
Philipp Hübner

Sound:
Roland Winke

Sound Effects Editor:
Matis Rei
Tom Jenkins

Sound Mix Technician:
Hannes Wannerberger
Kobi Quist

Sound Mixer:
Kai Lüde

Sound Re-Recording Mixer:
Deb Adair
Steve Single

Special Effects Supervisor:
Claudius Rauch

Special Effects Technician:
Nils Bleeck
Jörg Richter
David Opatz

Stand In:
Irina Handorf
Olga Slavina

Steadicam Operator:
Daniel Bishop
Tilman Büttner

Storyboard Artist:
Ray Harvie
Arne Jysch

Stunt Coordinator:
Volkhart Buff

Stunt Double:
Matthias Schmidt
Janine Theisen

Stunt Driver:
Eric Ford

Stunts:
Joshua Domnick
Eric Ford
Georg Ebinal
Delfine Buff
Felix Koch
Jan Böhme
Charlie Ruedpokanon

Supervising Dialogue Editor:
Andy Shelley

Supervising Sound Editor:
Stephen Griffiths

Third Assistant Director:
Inna Resner
Bobby McGee

Unit Production Manager:
Marc Grewe
Nigel Wooll

VFX Artist:
Julien Delorme
Jessica Francoeur-Ducharme
Adam Fenwick
Richard Payne
Bryan Hsu
Derina Doorley
Davide Pascolo
Peter Nemec
Andris Pakalns
Marie-Océane Courtois
Nick John
Charles Richer
Valérie Dugas
Ben Stonehouse
Rufus Blackwell
Laura Smith
Rory Whittle
Thierry Fournier

VFX Editor:
Pierrot Berube
Melina Savard
Maura Angioi

VFX Supervisor:
Māris Āboliņš

Visual Effects Coordinator:
Charles Lamoureux
Mélissa Massé
Amelie Marcoux

Visual Effects Producer:
Jonathan Brayer
Joss Brindle

Visual Effects Supervisor:
Nick Tanner
Jean-François Ferland
Emilien Lazaron
Jake Nelson
Matthew Twyford

Visual Effects Technical Director:
Marc-Olivier Rouleau

Wig Designer:
Peter Owen

Wigmaker:
Carol Robinson

Writer:
Todd Field

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.