A work in constant progress (and occasional regress).
Release Date:
November 16, 1967
Original Title:
Col cuore in gola
Alternate Titles:
En cinquième vitesse
Heart Beat
I Am What I Am
Ich bin wie ich bin - Das Mädchen aus der Carnaby Street
Ich bin wie ich bin - Das Mädchen aus der Carnaby-Street
With Heart in Mouth
Genres:
Mystery | Thriller
Production Companies:
Les Films Corona
Panda - Società per l'Industria Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
DE: 18
Runtime: 107
Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane's mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer's men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane's brother, can help them to solve the case. But Jane doesn't know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?
Art Direction:
Carmelo Patrono
Assistant Camera:
Sergio Spila
Augusto Diamanti
Assistant Costume Designer:
Bice Brichetto
Orietta Melaranci
Assistant Director:
Carla Cipriani
Gérard Guérin
Assistant Editor:
Fulvio Armanni
Boom Operator:
Primiano Muratori
Camera Operator:
Enrico Sasso
Giuseppe Gatti
Director:
Tinto Brass
Director of Photography:
Silvano Ippoliti
Editor:
Tinto Brass
Foley Artist:
Italo Cameracanna
General Manager:
Piero Donati
Novel:
Sergio Donati
Original Music Composer:
Armando Trovajoli
Producer:
Luigi Carpentieri
Ermanno Donati
Production Manager:
Lucio Trentini
Production Supervisor:
Franco Cuccu
Sound:
Vittorio De Sisti
Sound Effects Editor:
Italo Cameracanna
Storyboard:
Guido Crepax
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.