A work in constant progress (and occasional regress).
Release Date:
February 6, 2018
Original Title:
HeimÞrá: In Thrall to Home
Genres:
Documentary
Production Companies:
The Manitoba Arts Council
Winnipeg Film Group
Production Countries:
Canada | Iceland
Ratings / Certifications:
N/A
Runtime: 33
Doubting details of her mother’s deathbed story, a skeptical daughter drags her brother on a genealogical goose chase through the Canadian prairies to the remote Icelandic highland. Determined to prove her mother spun tall tales, Erika delves into a basement full of file boxes only to find that family history triggers her own obsessive curiosity. Holed up with stacks of diaries, letters and pictures, Erika becomes spellbound by her increasing sense of belonging to an unfolding story.
Assistant Camera:
Bruce Claydon
Arne MacPherson
Erika MacPherson
Solmund MacPherson
Assistant Editor:
Marcel Kreutzer
Boom Operator:
Rob Kokesch
Camera Operator:
Wendy Buelow
Nate Smith
Rob Kokesch
Director:
Erika MacPherson
Driver:
Rob Kokesch
Drone Operator:
Ryan Klatt
Editor:
Erika MacPherson
Executive Producer:
Cam Bennett
Music Sound Design and Processing:
Cam Loeppky
Musician:
Leanne Zacharias
Jason Tait
Greg Smith
Online Editor:
Bruce Little
Original Music Composer:
John K. Samson
Christine Fellows
Producer:
Erika MacPherson
Production Assistant:
Sarah Kucheran
Production Manager:
Kim Bell
Research Assistant:
Sharon Thompson
Set Designer:
Grant MacDonald
Sound Designer:
Anita Lubosch
Sound Mixer:
Bruce Little
Still Photographer:
Anne Brydon
Story Supervisor:
Arne MacPherson
Anne Brydon
Christine Fellows
John K. Samson
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.