A work in constant progress (and occasional regress).
Featuring:
Lalo Santos, Adrián Zuki, El Indio Brayan
Written by:
Manuel Abramovich
Fernando Krapp
Pío Longo
Directed by:
Manuel Abramovich
Release Date:
June 21, 2023
Original Title:
Pornomelancolía
Alternate Titles:
Klámmelankólía
Pornomelancholia
Πορνομελαγχολία
男色情鬱
Genres:
Drama
Production Companies:
Desvia Productions
Dublin Films
Gema Films
Mart Films
Production Countries:
Argentina | Brazil | France | Mexico
Ratings / Certifications:
FR: 16 GB: 18
Runtime: 94
Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.
Lalo (32) lives in Oaxaca, in a mountain town in southern Mexico, where he works in a factory. His parents don't know that he is a sex influencer. Nor do they know that he is HIV positive. Lalo spends all his time developing different characters. He auditions for a porn movie. "Why do you want to do porn?" they ask. "Because I like to be seen." Pornomelancholia reflects on the limits of intimacy in a time when everyday life and subjectivity have become a show for the gaze of others.
Art Direction:
Dudu Quintanilha
Co-Producer:
Rachel Ellis
Martha Orozco
David Hurst
Director:
Manuel Abramovich
Director of Photography:
Manuel Abramovich
Editor:
Ana Remón
Juan Soto Taborda
Executive Producer:
Clarisa Oliveri
Producer:
Gema Juárez Allen
Rachel Ellis
David Hurst
Martha Orozco
Clarisa Oliveri
Sound Designer:
Roberta Ainstein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.