First Point (2012) [N/A]

Release Date:
June 11, 2012

Original Title:
First Point

Genres:
Drama

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 5

Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Lindsay Lohan (2011) and Sasha Grey (2011), his first two films, made their debut at the “Commercial Break” film project at the 2011 Biennale di Venezia. In these "motion portraits ", the notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. Both actresses project self-conscious recognition in their performances and in turn point toward the transformative potential of narrative action, framed by their compelling beauty. Phillips’s third film, First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. A contemporary film noir, First Point juxtaposes haunting nocturnal imagery with surf sequences in which female pro-surfer Kassia Meador (Lohan's acknowledged stunt double) and Lohan herself appear.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Kyra Griffin

Assistant Director:
Katerina LLanes

Assistant Director of Photography:
Alejandro Berger

Assistant Editor:
Brian McCarthy

Co-Director:
Taylor Steele

Costume Design:
Ellen Mirojnick

Creative Director:
Dominic Sidhu

Director:
Richard Phillips

Director of Photography:
Todd Heater

Editor:
Jay Rabinowitz

Grip:
Eric Sullivan

Hairstylist:
Angelo Tsimourtos

Makeup Artist:
Glenn Nutley
Carola Gonzalez

Original Music Composer:
Thomas Bangalter

Sound Designer:
Sebastien Perrin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.