A work in constant progress (and occasional regress).
Release Date:
April 13, 2023
Original Title:
Mafia Mamma
Alternate Titles:
La heredera de la mafia
La marraine
Mafia Mama
Genres:
Action | Comedy | Crime
Production Companies:
Cornerstone Films
Idea(L)
Ingenious Media
Lipsync Productions
New Sparta Films
Vocab Films
Production Countries:
Italy | United Kingdom | United States of America
Ratings / Certifications:
AU: MA 15+ CA: 18A CZ: 15+ DE: 16 ES: 16 GB: 15 NL: 16 NZ: R16 PL: 16 PR: R RU: 16+ US: R
Runtime: 101
A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business.
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Assistant Art Director:
Alessandro Cardilli
Assistant Director:
Annamarie Dicesare
Boom Operator:
Flavio Moro
Casting:
Armando Pizzuti
Co-Executive Producer:
James Gibb
Simon Fawcett
Costume Design:
Claudette Lilly
Director:
Catherine Hardwicke
Director of Photography:
Patrick Murguia
Editor:
Waldemar Centeno
Executive Producer:
Kent Sanderson
Andrew Karpen
Simon Baxter
First Assistant Director:
Roy Bava
Foley Editor:
Lilly Blazewicz
Hair Designer:
Elisabetta De Leonardis
Hairstylist:
Valentina Pignataro
Lona Vigi
Cédric Kerguillec
Idea:
Amanda Sthers
Makeup Designer:
Jo-Ann MacNeil
Letizia Carnevale
Federico Laurenti
Original Music Composer:
Alex Heffes
Producer:
Amanda Sthers
Toni Collette
Production Design:
Livia Borgognoni
Screenplay:
J. Michael Feldman
Debbie Jhoon
Set Dresser:
Enzo Ferraro
Sound Mixer:
Emanuela Cotellessa
Sound Re-Recording Mixer:
Daniel Bodsworth
Sven Taits
Special Effects Supervisor:
Maurizio Corridori
Special Effects Technician:
Luigi Zanna
Steadicam Operator:
Sebastiano De Pascalis
Stunt Coordinator:
Alessandro Borgese
Supervising Sound Editor:
Ian Wilson
Visual Effects Producer:
Bonita Nichols
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.