A work in constant progress (and occasional regress).
Release Date:
June 5, 2021
Original Title:
You Had Me at Aloha
Alternate Titles:
Любовь с первого "алоха"
Genres:
Comedy | Romance | TV Movie
Production Companies:
Island Film Group
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 84
When the host of a popular travel show resigns, the network enlists Paige, to step in for the next season set in Hawaii. Unbeknownst to her, they have also hired Ben, who likes to push everything to the extreme. As these two new co-hosts clash over their opposing ideas for production, they grapple with the fact that not only do they need each other to further their careers, but they also balance each other on and off the screen.
"A" Camera Operator:
Scott Lee Mason
"B" Camera Operator:
Ruben Carrillo
ADR Mixer:
Jacob Ortiz
ADR Supervisor:
Jacob Ortiz
Assistant Art Director:
Jamie Ku
Assistant Editor:
Tucker Marolf
Assistant Location Manager:
Leiohu Richmond
Assistant Production Coordinator:
Olivia Edmonds
Assistant Property Master:
Kenji Stevens
Background Casting Director:
Akemi Bischoff
Dymond Cabildo
Best Boy Electric:
Lukas Seno
Best Boy Grip:
Tom Haley
Boom Operator:
Chavis Acosta
Casting:
Katie Doyle
Casting Associate:
Karen Wood
Costume Assistant:
Nicholas Howe
Costume Designer:
Kathe James
Costume Supervisor:
Natsume Minegishi
Craft Service:
Eric Uyeda
Dialogue Editor:
Jackie Johnson
Digital Intermediate Colorist:
Darin Wooldrich
Digital Intermediate Editor:
Derek Herr
Director:
John Putch
Director of Photography:
Newton TerMeer
Dolly Grip:
Xavier Figueroa
Editor:
Harry B. Miller III
Electrician:
Akoni Ka'anoi
Charles Kramer
Jeremy Lecain
Executive Producer:
Pascale Hutton
Kavan Smith
Jennifer Aspen
First Assistant "A" Camera:
Tony Nagy
First Assistant "B" Camera:
Rylan Akama
First Assistant "C" Camera:
Brian Matsumura
First Assistant Director:
A. Brooks Medoff
Foley Artist:
Lorita de la Cerna
Foley Editor:
Xiang Li
Gaffer:
Ishmael Hills
Graphic Designer:
Gary Nakano
Hair Department Head:
Paulette Crammond
Key Grip:
Keoki Smith
Key Hair Stylist:
Anthony Haugen
Key Makeup Artist:
Kaikala Tamanaha
Lead Set Dresser:
Noeau Nakai
Leadman:
Elias Chang
Location Manager:
Jim Triplett
Makeup Department Head:
Natalie Bruce
Music:
Genevieve Vincent
Payroll Accountant:
Luika Imaoka
Post Production Supervisor:
David Scharf
Producer:
Ricardo S. Galindez
Roy Tijoe
Kenneth Burke
Production Accountant:
Lisa Kaufman
Production Coordinator:
Michelle Lindsay
Production Design:
John Zachary
Production Supervisor:
Angela Laprete
Property Master:
Charlie Kaeo
Rigging Grip:
Brian Vollert
Harry Sawyer
Herb Nahinu
Script Supervisor:
Brenda Lopez
Lindsey Allred
Second Assistant "A" Camera:
Kawika Stant
Second Assistant "B" Camera:
Kilani Villiaros
Second Assistant "C" Camera:
Zeke Hanohano
Second Assistant Director:
Christopher Haley
Second Second Assistant Director:
Leah Myerson
Set Costumer:
Tammy Keach
Set Decoration:
Rick Romer
Set Dresser:
Darrell Tachibana
Taylor Sawyer
Sound Effects Editor:
G.W. Pope III
Xiang Li
Sound Re-Recording Mixer:
Kelly Vandever
Steadicam Operator:
Michael May
Still Photographer:
Zack Dougan
Story:
Neal H. Dobrofsky
Tippi Dobrofsky
Supervising Sound Editor:
Trip Brock
Transportation Coordinator:
Richard Groder
Unit Production Manager:
Kenneth Burke
Writer:
Rick Garman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.