A work in constant progress (and occasional regress).
Release Date:
August 11, 2011
Original Title:
Violeta se fue a los cielos
Alternate Titles:
Violeta
Violeta Went to Heaven
Violeta se fue a los Cielos
Genres:
Drama | Music
Production Companies:
Agência Nacional do Cinema - ANCINE
INCAA
Invercine&Wood
Maíz Producciones
Production Countries:
Argentina | Brazil | Chile | Spain
Ratings / Certifications:
US: NR
Runtime: 110
A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.
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ADR Recordist:
Francisco Vivent
Miguel Hormazábal
Acting Double:
Iseda Sepúlveda
Art Direction:
Rodrigo Bazaes
Sebastián Rosés
Assistant Director:
Eduardo Pacheco
Assistant Editor:
Eduardo Segovia
Isidora Marras
Assistant Makeup Artist:
Nicole Herrera
Camera Operator:
M.I. Littin-Menz
Miguel Abal
Casting:
Pilar Zderich
Jimena Rivano
Carlos Johnson
Costume Design:
Pamela Chamorro
Director:
Andrés Wood
Director of Photography:
M.I. Littin-Menz
Dolby Consultant:
Mario Faucher
Editor:
Andrea Chignoli
Executive Producer:
Fernando Sokolowicz
Patricio Pereira
Pablo Rovito
Denise Gomes
Paula Cosenza
First Assistant Camera:
Pablo Martínez
First Assistant Director:
Julio Jorquera
Foley:
Ivo Moraga
Gaffer:
Víctor Rojas
Music Consultant:
Chango Spasiuk
Music Producer:
Miguel Miranda
José Miguel Tobar
Musician:
Ángel Parra
Other:
Carlos Johnson
Cristóbal Azócar
Ángel Parra
Production Manager:
Ruth Orellana
Screenplay:
Eliseo Altunaga
Guillermo Calderón
Rodrigo Bazaes
Andrés Wood
Second Assistant Camera:
Rodrigo Belmar
Set Decoration:
María Eugenia Hederra
Sound:
Andrés Carrasco
Sound Designer:
Miguel Hormazábal
Sound Editor:
Francisco Vivent
Sound Mixer:
Roberto Zuñiga
Miguel Hormazábal
Sound Recordist:
María Elisa Canobra
Steadicam Operator:
Leonardo Saldaño
Mirko Zlatar
Third Assistant Director:
Paula López Wood
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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