A work in constant progress (and occasional regress).
Release Date:
June 30, 2021
Original Title:
La parfaite victime
Genres:
Documentary
Production Companies:
Cinémaginaire
Les Films Séville
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 88
After investigating the Gilbert Rozon affair together in October 2017 in the wake of the #MeToo movement, journalists Émilie Perreault and Monic Néron are teaming up to sign this hotly current documentary that examines the failures of the justice system in matters of sexual assault.
Associate Producer:
Martine Desroches
Cinematography:
Pierre-Étienne Bordeleau
Hugo Généreux
Director:
Monic Néron
Émilie Perreault
Editor:
Frédéric Nassif
Music:
Tire le coyote
Post-Production Manager:
Tibo Galbois
Producer:
Denise Robert
Sound:
Carl-André Hernandez
Luc Boudrias
Sound Designer:
Marie-Claude Gagné
Writer:
Monic Néron
Émilie Perreault
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.