Home

Velocity Trap (1999) [R]

Release Date:
February 22, 1999

Original Title:
Velocity Trap

Alternate Titles:
2149 - Kampf in der Todeszone
Armadilha em Alta Velocidade
Piège dans l'espace
Saqueadores do Espaço
Sebességcsapda
Velocity Trap
Velocity Trap - 2149 Kampf in der Todeszone
Velocity trap - rikos valon nopeudella
Τέλειο Έγκλημα

Genres:
Action | Science Fiction

Production Companies:
Unified Film Organization

Production Countries:
United States of America

Ratings / Certifications:
DE: 16  US: R 

Runtime: 86

Crime at the Speed of Light

Overview from TheMovieDB

In a desolate and treachorous region of space known as the Velocity Run, a heavily armored ship passes every six months. It carries billions of Universal Dollars between the colonies and the Central Bank on Earth. Hard currency has returned due to rampant electronic crime. Now a team of highly trained mercenaries are about to commit the perfect crime in a place where evidence and witnesses have no chance of survival. In this deadly corridor of space, a single man must stop them.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Assistant Hairstylist:
Francie Hart

Assistant Makeup Artist:
Francie Hart

Associate Producer:
Melanie J. Elin

Costume Design:
Marie Blom

Director:
Phillip J. Roth

Director of Photography:
Philip D. Schwartz

Editor:
Christian McIntire

Executive Producer:
James Hollensteiner
Thomas J. Niedermeyer Jr.

Original Music Composer:
Jim Goodwin
Mike Slamer
Richard McHugh

Producer:
Christian McIntire
Elizabeth Weintraub
Ken Olandt
Phillip J. Roth

Production Design:
David Huang

Set Decoration:
Charles "Skip" Duncan

Stunts:
Mark De Alessandro
Peewee Piemonte

Unit Production Manager:
Melanie J. Elin

Writer:
Patrick Phillips
Phillip J. Roth

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.