A work in constant progress (and occasional regress).
Release Date:
November 19, 1997
Original Title:
Sub Down
Alternate Titles:
Collision Course
Sub Down - Verschollen in der Tiefe
Genres:
Action | Drama | Thriller
Production Companies:
Muraglia/Sladek Filmworks
The Carousel Picture Company
Trimark Pictures
USA Pictures
Production Countries:
Luxembourg | United States of America
Ratings / Certifications:
US: PG-13
Runtime: 92
When a nuclear attack submarine crashes on the floor of the Artic ocean, it's up to a pair of research scientists to save the entire crew before time and oxygen run out.
ADR Mixer:
Eric Thompson
David Horner
ADR Recordist:
Colin Rogers
Additional Editing:
Saar Klein
Animation:
Holger Wehrle
Art Department Coordinator:
Elsemieke Meijer
Art Direction:
Peter Powis
Assistant Art Director:
Simon Bowles
Assistant Camera:
Benny Ashoff
Claus Henrich
Martin Gehbauer
Assistant Editor:
Ian Differ
Pam Sharp
Andrew MacRitchie
Russell Eaton
Glenn Cocco
Associate Producer:
Cameron Jones
Stirling Belefant
Howard Chesley
Tom Piskura
Best Boy Electric:
Severino Tramontani
Boom Operator:
Mike Reardon
Camera Operator:
Alessandro Bolognesi
Rolf Buegler
Camera Trainee:
Chantal Schaul
Casting Consultant:
Jeremy Zimmermann
Casting Director:
Lynne Polak
Clapper Loader:
Wolfgang Wesemann
Alex Aach
Color Timer:
Dale E. Grahn
Costume Designer:
Lisa Johnson
Costumer:
Elaine Colombana
Vessna Kovacevic
Creative Consultant:
Cam Eason
Dialogue Editor:
Paul Curtis
Frederick H. Stahly
John C. Stuver
Director:
Alan Smithee
Gregg Champion
Director of Photography:
Hiro Narita
Editor:
Cary Shott
Executive Producer:
Tom Reeve
Romain Schroeder
First Assistant Director:
Scott Metcalfe
Focus Puller:
Maurizio Cremisini
Foley Artist:
Gregg Barbanell
Vince Nicastro
Laura Macias
Foley Editor:
Jason Lezama
Foley Mixer:
Eric Thompson
Gaffer:
Marco Sticchi
Grip:
Maurizio Salvatori
Hair Supervisor:
Mauro Tamagnini
Hairstylist:
Vivian Nowak
Key Grip:
Luciano Giuseppone
Lighting Camera:
Roger Simonsz
Peter Field
Location Manager:
Paul de Bourcy
Makeup Artist:
Cathy Folmer
Makeup Designer:
Vincenzo Mastrantonio
Music Coordinator:
Michael Hashimoto
Music Editor:
Joshua Winget
Music Supervisor:
Shiro Gutzie
Original Music Composer:
Stefano Mainetti
Producer:
Daniel Sladek
Silvio Muraglia
Jeffrey White
Production Coordinator:
Ros Davidson
Production Manager:
Meinir Stoutt
Pyrotechnician:
Rob Weissenhaan
Screenplay:
Howard Chesley
Script Supervisor:
Annie Simpson
Sheila McNaught
Second Assistant Director:
Iseult Frere
Second Unit Director:
Rolf Buegler
Jeff Jensen
Second Unit First Assistant Director:
Cort Hessler
Set Designer:
Beck Taylor
Set Dresser:
Chaz Prestidge
Sound Director:
Marc Fishman
Sound Effects Editor:
Jeffrey R. Whitcher
Michael Kamper
Elisabeth Flaum
Ann Scibelli
Tim Walston
Sound Re-Recording Assistant:
Juan Peralta
Sound Re-Recording Mixer:
Marshall Garlington
Ken Teaney
Sound Recordist:
John Rodda
Special Effects Coordinator:
Harry Wiesenhaan
Special Effects Technician:
Edward Wiesenhaan
Rick Wiessenhaan
Steadicam Operator:
Alessandro Bolognesi
Still Photographer:
Bruce Malone
Story:
Howard Chesley
Silvio Muraglia
Daniel Sladek
Storyboard Artist:
David Hogan
Stunts:
Rick Wiessenhaan
Stacy Courtney
Cort Hessler
Supervising Sound Editor:
Andrew DeCristofaro
Harry Cohen
Third Assistant Director:
Claude de Bourcy
Ralph Eisenmann
Title Designer:
Jimmy Zelinger
Underwater Camera:
Rolf Buegler
Visual Effects Supervisor:
Bruce Walters
Wardrobe Supervisor:
David Whiteing
Klaus Lehofer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.