Sub Down (1997) [PG-13]

Release Date:
November 19, 1997

Original Title:
Sub Down

Alternate Titles:
Collision Course
Sub Down - Verschollen in der Tiefe

Genres:
Action | Drama | Thriller

Production Companies:
Muraglia/Sladek Filmworks
The Carousel Picture Company
Trimark Pictures
USA Pictures

Production Countries:
Luxembourg | United States of America

Ratings / Certifications:
US: PG-13 

Runtime: 92

When a nuclear attack submarine crashes on the floor of the Artic ocean, it's up to a pair of research scientists to save the entire crew before time and oxygen run out.

Additional information:

The Search Form


ADR Mixer:
Eric Thompson
David Horner

ADR Recordist:
Colin Rogers

Additional Editing:
Saar Klein

Animation:
Holger Wehrle

Art Department Coordinator:
Elsemieke Meijer

Art Direction:
Peter Powis

Assistant Art Director:
Simon Bowles

Assistant Camera:
Benny Ashoff
Claus Henrich
Martin Gehbauer

Assistant Editor:
Ian Differ
Pam Sharp
Andrew MacRitchie
Russell Eaton
Glenn Cocco

Associate Producer:
Cameron Jones
Stirling Belefant
Howard Chesley
Tom Piskura

Best Boy Electric:
Severino Tramontani

Boom Operator:
Mike Reardon

Camera Operator:
Alessandro Bolognesi
Rolf Buegler

Camera Trainee:
Chantal Schaul

Casting Consultant:
Jeremy Zimmermann

Casting Director:
Lynne Polak

Clapper Loader:
Wolfgang Wesemann
Alex Aach

Color Timer:
Dale E. Grahn

Costume Designer:
Lisa Johnson

Costumer:
Elaine Colombana
Vessna Kovacevic

Creative Consultant:
Cam Eason

Dialogue Editor:
Paul Curtis
Frederick H. Stahly
John C. Stuver

Director:
Alan Smithee
Gregg Champion

Director of Photography:
Hiro Narita

Editor:
Cary Shott

Executive Producer:
Tom Reeve
Romain Schroeder

First Assistant Director:
Scott Metcalfe

Focus Puller:
Maurizio Cremisini

Foley Artist:
Gregg Barbanell
Vince Nicastro
Laura Macias

Foley Editor:
Jason Lezama

Foley Mixer:
Eric Thompson

Gaffer:
Marco Sticchi

Grip:
Maurizio Salvatori

Hair Supervisor:
Mauro Tamagnini

Hairstylist:
Vivian Nowak

Key Grip:
Luciano Giuseppone

Lighting Camera:
Roger Simonsz
Peter Field

Location Manager:
Paul de Bourcy

Makeup Artist:
Cathy Folmer

Makeup Designer:
Vincenzo Mastrantonio

Music Coordinator:
Michael Hashimoto

Music Editor:
Joshua Winget

Music Supervisor:
Shiro Gutzie

Original Music Composer:
Stefano Mainetti

Producer:
Daniel Sladek
Silvio Muraglia
Jeffrey White

Production Coordinator:
Ros Davidson

Production Manager:
Meinir Stoutt

Pyrotechnician:
Rob Weissenhaan

Screenplay:
Howard Chesley

Script Supervisor:
Annie Simpson
Sheila McNaught

Second Assistant Director:
Iseult Frere

Second Unit Director:
Rolf Buegler
Jeff Jensen

Second Unit First Assistant Director:
Cort Hessler

Set Designer:
Beck Taylor

Set Dresser:
Chaz Prestidge

Sound Director:
Marc Fishman

Sound Effects Editor:
Jeffrey R. Whitcher
Michael Kamper
Elisabeth Flaum
Ann Scibelli
Tim Walston

Sound Re-Recording Assistant:
Juan Peralta

Sound Re-Recording Mixer:
Marshall Garlington
Ken Teaney

Sound Recordist:
John Rodda

Special Effects Coordinator:
Harry Wiesenhaan

Special Effects Technician:
Edward Wiesenhaan
Rick Wiessenhaan

Steadicam Operator:
Alessandro Bolognesi

Still Photographer:
Bruce Malone

Story:
Howard Chesley
Silvio Muraglia
Daniel Sladek

Storyboard Artist:
David Hogan

Stunts:
Rick Wiessenhaan
Stacy Courtney
Cort Hessler

Supervising Sound Editor:
Andrew DeCristofaro
Harry Cohen

Third Assistant Director:
Claude de Bourcy
Ralph Eisenmann

Title Designer:
Jimmy Zelinger

Underwater Camera:
Rolf Buegler

Visual Effects Supervisor:
Bruce Walters

Wardrobe Supervisor:
David Whiteing
Klaus Lehofer

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.