A work in constant progress (and occasional regress).
Release Date:
February 25, 2022
Original Title:
The Outfit
Alternate Titles:
El sastre de la mafia
La Tenue
Le Tailleur
O Alfaiate (2022)
Por Medida
The Outfit - Verbrechen nach Maß
Всичко е по мярка
لباس
یک دست لباس
アウトフィット
誓不低头
集团
더 아웃핏
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
FilmNation Entertainment
Focus Features
Scoop Productions
Unified Theory
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA 15+ BE: 16 CA: 14A DE: 16 ES: 16 FR: 12 GB: 15 IE: 15A MX: C NZ: R13 US: R
Runtime: 105
Leonard is an English tailor who used to craft suits on London’s world-famous Savile Row. After a personal tragedy, he’s ended up in Chicago, operating a small tailor shop in a rough part of town where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters.
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Co-Producer:
Nell Green
Elizabeth Siegal
Costume Designer:
Zac Posen
Sophie O'Neill
Costume Supervisor:
Ashleigh Lennox
Director:
Graham Moore
Director of Photography:
Dick Pope
Editor:
William Goldenberg
Executive Producer:
Alison Cohen
Ashley Fox
Johnathan McClain
Milan Popelka
Brad Zimmerman
Hair Designer:
Christine Blundell
Makeup Designer:
Christine Blundell
Original Music Composer:
Alexandre Desplat
Producer:
Scoop Wasserstein
Ben Browning
Amy Jackson
Production Design:
Gemma Jackson
Screenplay:
Graham Moore
Set Decoration:
Tonja Schürmann
Sound Re-Recording Mixer:
William Miller
Steve Single
Supervising Sound Editor:
Rachael Tate
Title Designer:
Matt Curtis
Visual Effects Producer:
Vikram Chadha
Visual Effects Supervisor:
Sebastian Barker
Paddy Eason
Writer:
Johnathan McClain
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.