A work in constant progress (and occasional regress).
Release Date:
April 9, 2019
Original Title:
Van Gogh: An Exclusive View – from Tate Britain
Genres:
Documentary
Production Companies:
Sky Productions
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U
Runtime: 57
Get a front row seat at Tate Britain for one of 2019's biggest art shows. Van Gogh and Britain features 45 works, telling the story of the Sunflowers painter's adventures in England.
Business Affairs Coordinator:
Leanne Kyle
Camera Operator:
Toby Deveson
Phil Walker
Camera Supervisor:
David White
Digital Imaging Technician:
Miles Howitt
Editor:
Jon Slade
Line Producer:
Katie Joyce
Makeup Artist:
Ruth Higgins
Zainab Jaye
Manager of Operations:
Leigh Spence
Emma Hastings
Mixing Engineer:
Simon Hitner
Online Editor:
Mark Giblin
Production Assistant:
Stoyan Stoyanov
Production Coordinator:
Mary McIlveen
Production Executive:
Annalisa Harmes
Nicky Murphy
Script Supervisor:
Lisa Anderson
Sound Supervisor:
Richard Anstead
Technical Supervisor:
Nick Singfield-Strank
Unit Manager:
Mark Gibbons
Henry Ferdinando
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.