A work in constant progress (and occasional regress).
Release Date:
March 15, 2024
Original Title:
Shirley
Genres:
Drama | History
Production Companies:
Participant
Royal Ties Productions
Production Countries:
United States of America
Ratings / Certifications:
AR: +13 AU: M BR: 14 CZ: 15+ DE: 12 ES: 12 GB: 12 HU: 16 ID: 13+ IE: 12 IN: U/A 13+ KR: 15 LT: N-13 LU: 12 MX: B MY: P13 NL: 12 NZ: M PH: R-13 PL: 16 PR: PG-13 RO: 15 SG: PG13 TH: 13 TR: 13+ US: PG-13 VI: PG-13 ZA: 13
Runtime: 117
Shirley Chisholm makes a trailblazing run for the 1972 Democratic presidential nomination after becoming the first Black woman elected to Congress.
"B" Camera Operator:
Jason Robbins
ADR Voice Casting:
Cherelle Cargill
Sienna Jeffries
Art Department Coordinator:
Debbie Stratis
Art Direction:
Danny Brown
Assistant Property Master:
Mitch Kessler
Laura Dennings
Assistant Set Decoration:
Sarah Young
Assistant Sound Editor:
Daniel Ward
Associate Producer:
Danielle L. Ross
Boom Operator:
Anthony Cargioli
Camera Loader:
Eric Ransbottom
Casting:
Kimberly Hardin
Casting Assistant:
Sasha Mercuri
Casting Associate:
Christian Bustamante
Costume Design:
Megan Coates
Costume Supervisor:
Jennifer Day Young
Dialogue Editor:
Gerald Donlan
Eliza Paley
Digital Imaging Technician:
Mark Wilenkin
Director:
John Ridley
Director of Photography:
Ramsey Nickell
Editor:
JoAnne Yarrow
Executive Producer:
Ted Gidlow
Jeff Skoll
Finishing Producer:
Jessica Hinds
First Assistant "A" Camera:
Jon Jung
First Assistant "B" Camera:
Toby White
First Assistant Director:
Libby Minarik
Foley Artist:
Leslie Bloome
Shaun Brennan
Foley Editor:
Daniel Ward
Foley Mixer:
Ryan Collison
Hair Department Head:
Nakoya Yancey
Hairstylist:
Greg Cooper-Spencer
Health and Safety:
Trace Walker
In Memory Of:
Lance Reddick
Key Hair Stylist:
Gayette Williams
Local Casting:
D. Lynn Meyers
Makeup Department Head:
Debi Young
Music Editor:
Missy Cohen
Jonathan Schultz
Music Supervisor:
Madonna Wade-Reed
Original Music Composer:
Tamar-kali
Producer:
John Ridley
Elizabeth Haggard
Reina King
Anikah McLaren
Regina King
Production Design:
Dina Goldman-Kunin
Production Sound Mixer:
Geoff Maxwell
Production Supervisor:
Robb Earnest
Property Master:
Colin Bach
Prosthetics:
Gary Archer
Script Supervisor:
Wilma Garscadden-Gahret
Second Assistant "A" Camera:
Emily Zenk
Second Assistant "B" Camera:
Joe Bou
Second Assistant Director:
Leah King
Second Second Assistant Director:
Donté Bouyer
Jackson Lipps
Set Decoration:
Imogen Lee
Set Decoration Buyer:
Rebecca Steele
Set Designer:
Vince Calabrese
Sound Designer:
Leslie Shatz
Sound Effects Editor:
Alex Loew
Sound Re-Recording Mixer:
Leslie Shatz
Still Photographer:
Glen Wilson
Stunt Coordinator:
Julie Michaels
Eddie L. Watkins
Peewee Piemonte
Stunts:
Nico Correa
Terrence Julien
Juliette Kendall
Benjamin Sanchez
Daniel Briggs
Peter Wallack
Diane Reneé
Andy Jones
Supervising Sound Editor:
Pam DeMetruis-Thomas
Unit Production Manager:
Ted Gidlow
Utility Sound:
Tim Dutton
VFX Artist:
Thitaphon Piraban
Writer:
John Ridley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.