A work in constant progress (and occasional regress).
Release Date:
January 26, 2012
Original Title:
Шапито-шоу: Уважение и сотрудничество
Alternate Titles:
Chapiteau Show
Chapiteau Show: Respect and Cooperation - Part 2
Shapito Show
Shapito show - partie 2
Shapito-shou: Uvazhenie i sotrudnichestvo
Шапито-шоу: Уважение и сотрудничество
Genres:
Comedy | Music
Production Companies:
Inmotion Films
Organic Films
Passenger Pictures Studio
Production Countries:
Russia
Ratings / Certifications:
RU: 18+
Runtime: 111
A father decides to make amends with his son, while Victor Tsoy 's double goes on a tour of Crimea. Sergei Loban's dilogy continued. Respect. Ladies and gentlemen, children of all ages! Prepare yourselves to witness a death-defying feat! A wise man, lost in the darkness, and his disciple, desperately striving for the light. They balance on the edge of the abyss while volcanic flames burn their faces. King Lear and the Star Child, their train of fate speeds through a tunnel in the mountain. Will there be light at the end of the tunnel? Cooperation. A world premiere! The circus proudly brings to you a surprising discovery in show business! The one, the only Ersatz Star! A creature capable of destroying any competitors! Its creator will fly up to the very top of Mount Olympus and leap into the depths of the waters. Engineer Garin and the Elephant Man will either save or destroy each other! Wait and see!
Cinematography:
Ivan Mamonov
Evgeny Tsvetkov
Digital Intermediate Colorist:
Grigory Karapetyan
Director:
Sergei Loban
Editor:
Sergei Loban
First Assistant Director:
Olga Gorvat
Music:
Zhak Polyakov
Online Editor:
Gennadiy Snopkov
Producer:
Aleksey Ageyev
Yekaterina Gerasicheva
Mikhail Sinev
Writer:
Marina Potapova
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.