A work in constant progress (and occasional regress).
Release Date:
September 18, 1972
Original Title:
Girolimoni, il mostro di Roma
Alternate Titles:
Por Ordem de Mussolini
The Assassin of Rome
Genres:
Comedy | Crime | Drama
Production Companies:
Produzioni De Laurentiis - International Manufacturing Company
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 114
In Mussolini's Rome a murderer is targeting young girls. The movie explores how the fascist mind works, how it plays its values off the sentiment of the masses and explores the role of the press in creating a unified narrative.
Accountant:
Aureliano Lalli Persiani
Assistant Camera:
Ivo Spila
Roberto Locci
Assistant Costume Designer:
Maria Gelmetti
Assistant Editor:
Rossana Maiuri
Assistant Production Design:
Eli Peyrot
Renato Postiglione
Boom Operator:
Benedetto Conversi
Camera Operator:
Otello Spila
Costume Design:
Mario Ambrosino
Director:
Damiano Damiani
Director of Photography:
Marcello Gatti
Editor:
Nino Baragli
Executive Producer:
Bruno Todini
First Assistant Director:
Mino Giarda
Hairstylist:
Renata Magnanti
Bianca Casella
Makeup Artist:
Alvaro Rossi
Stefano Fava
Otello Fava
Original Music Composer:
Riz Ortolani
Producer:
Dino De Laurentiis
Production Design:
Umberto Turco
Production Manager:
Giorgio Morra
Production Secretary:
Roberto Panaccia
Carla Alessandroni
Roberto de Laurentiis
Property Master:
Paolo De Pinto
Screenplay:
Damiano Damiani
Fulvio Gicca Palli
Enrico Ribulsi
Script Supervisor:
Vittoria Vigorelli
Seamstress:
Luisa Buratti
Iole Poggi Leonardi
Second Assistant Director:
Riccardo Sesani
Sound:
Mario Celentano
Sound Mixer:
Mario Morigi
Special Effects:
Vincenzo Bellabarba
Still Photographer:
Firmino Palmieri
Story:
Damiano Damiani
Fulvio Gicca Palli
Enrico Ribulsi
Unit Manager:
Aurelio De Laurentiis
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.