A work in constant progress (and occasional regress).
Release Date:
May 14, 2021
Original Title:
The Clue to Love
Genres:
Comedy | Family | Romance | TV Movie
Production Companies:
CME Summer Productions
Champlain Media
Reel One Entertainment
Production Countries:
Canada
Ratings / Certifications:
DE: 6 US: G
Runtime: 85
Ambitious journalist Audrey Harper heads to Hope Cove to write an article on the town’s local newspaper – if she does well, she’s up for a big promotion. While there, she meets the charming and handsome Editor in Chief Morgan Cooper, who helps her as she uncovers the true identity of the paper’s beloved love advice columnist Ask Aunt Hope, famous in the town for healing broken hearts.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Greg Biskup
ADR Editor:
Aravind Sundar
ADR Recordist:
Ehren Pfiefer
Accountant:
Stacy Huynh
Art Direction:
Baldeep Randhawa
Assistant Costume Designer:
Sherine McIntosh
Assistant Director:
Cassie Keenan
Assistant Location Manager:
Tricia Sprawson
Chris Petrou
Background Casting Director:
Maureen Evans
Best Boy Electric:
Matthew Aitia
Best Boy Grip:
Mitchell Jones
Boom Operator:
Leigh George
Casting:
Larissa Mair
Casting Assistant:
Kate Peters
Casting Associate:
Colleen Rush
Colorist:
Warren Chinn
Costume Designer:
Nalinie D. Budhu
Craft Service:
Shaaron Zahavy
Dialogue Editor:
Aravind Sundar
Digital Imaging Technician:
Margarita Ushakova
Director:
Graeme Campbell
Director of Photography:
Ryan Knight
Dolly Grip:
Andy Youn
Editor:
Dona Noga
Electrician:
Nendujan Ratnarajah
Noelle Sivko
Executive Producer:
Breanne Laplante
Sebastian Battro
Tom Berry
Suzanne Chapman
Laurence Braun
First Assistant "A" Camera:
Daniel Duguay
First Assistant "B" Camera:
Bill Franks
First Assistant Accountant:
Melanie Kwong Chip
First Assistant Camera:
Kyle Bibby Larson
First Assistant Director:
Kristina Small
Foley Artist:
Joshua Pichardo
Foley Recordist:
Ehren Pfiefer
Gaffer:
Stepan Sivko
Grip:
Oliver Romo Arellano
Robert Wharry
Key Grip:
Tim P. Doughty
Key Hair Stylist:
Adelaide Hobson Terene
Key Makeup Artist:
Anne Harrison
Lead Set Dresser:
Jacob Mazzilli
Location Assistant:
Richard Swieca
Justin Bulman
Michael Nicholas Findlay
Location Manager:
James Girard
Makeup & Hair:
Jasmine Ruiz
Anna Idzikowski
Online Editor:
Warren Chinn
Original Music Composer:
Lawrence Shragge
Post Production Assistant:
Jake Blum
Post Production Supervisor:
Tarek Alward
Producer:
Neil Bregman
Adam Gowland
Production Accountant:
Marcelo Solis
Production Coordinator:
Dominic Ewenson
Production Design:
Krystyna Byers
Production Manager:
Helene C. Valinsky
Production Secretary:
Kyle Bibby Larson
Property Master:
Raey Ang
Props:
Jocelyn Feltham
Script Supervisor:
Hernando Rueda
Second Assistant "A" Camera:
Mark D. Harris
Second Assistant "B" Camera:
Dan Cunningham
Second Assistant Director:
Sarah Macleod
Set Dresser:
Sebastian Ponton Cueva
Marissa Dominique Racco
Nafis Rashid
Andres Ponton Cueva
Sound Effects Editor:
Bryson Cassidy
Sound Mixer:
Ivan Zharov
Sound Re-Recording Mixer:
Rudy Michael
Still Photographer:
Andrew Zidichouski
Third Assistant Director:
Tyler Woodward
Transportation Coordinator:
Stephen Roy
Visual Effects:
Joe Pascale
Wardrobe Supervisor:
Joelle Nemr
Writer:
Aimee Pitta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.