A work in constant progress (and occasional regress).
Release Date:
September 15, 2000
Original Title:
Almost Famous
Alternate Titles:
Almost Famous - Untitled: The Extended Cut
Casi Famosos
Majdnem híres
Presque Celebre
Quase Famosos: Versão Extendida
Şöhrete Bir Adım
成名之路
成名在望
올모스트 페이머스
Genres:
Drama | Music
Production Companies:
Columbia Pictures
DreamWorks Pictures
Vinyl Films
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 14 CH: 12 CZ: U DE: 12 DK: 15 ES: 7 FI: K-16 GB: 15 GR: 16 HU: 12 IE: 15 JP: PG12 NL: 12 NO: 15 PL: 16 SE: 7 US: R|NR
Runtime: 124
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
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Art Department Coordinator:
Cece Destefano
Art Direction:
Clay A. Griffith
Virginia Randolph-Weaver
Assistant Art Director:
Eric Rosenberg
Assistant Chief Lighting Technician:
Erik Bernstein
Assistant Property Master:
Mark Kusy
Melissa Feinberg
Associate Producer:
Steven P. Saeta
Marty P. Ewing
Jerry Ziesmer
Best Boy Grip:
Kim Heath
Boom Operator:
Don Coufal
Camera Loader:
Sal Alvarez
Camera Operator:
Mike Thomas
Chris Haarhoff
Casting:
Gail Levin
Casting Associate:
Andrew S. Brown
Chief Lighting Technician:
Randy Woodside
Costume Design:
Betsy Heimann
Costume Supervisor:
Michael Dennison
Costumer:
Lisa Buchignani
Nava R. Sadan
Patia Prouty
Nisa Kellner
Jonny Pray
Jorge J. Gonzalez
Brian Callahan
Melissa Binder
Director:
Cameron Crowe
Director of Photography:
John Toll
Dolly Grip:
Danny Jimenez
Editor:
Joe Hutshing
Saar Klein
Electrician:
Raymond Gonzales
Jeff Durling
Sean Smith
John S. Beyers
Billy Craft
Extras Casting:
Rich King
First Assistant Camera:
Tommy Klines
Chris Toll
First Assistant Director:
Jerry Ziesmer
Grip:
Jeffrey L. Wilson
Rick Avotte
Dustin Ault
Kyle Carden
Hair Department Head:
Kathryn Blondell
Hairstylist:
Carolyn Elias
Kim Messina
Audrey L. Anzures
Key Costumer:
Linda Henrikson
Key Grip:
Herb Ault
Key Makeup Artist:
Michael Germain
Key Rigging Grip:
Dhamarata 'G' Dhiensuwana
Makeup Artist:
Maggie Myer
Makeup Department Head:
Lois Burwell
On Set Dresser:
John H. Maxwell
Original Music Composer:
Nancy Wilson
Producer:
Ian Bryce
Cameron Crowe
Scott M. Martin
Lisa Stewart
Production Assistant:
Robert James Ashe
Production Manager:
Marty P. Ewing
Steven P. Saeta
Production Sound Mixer:
Jeff Wexler
Property Master:
David H. Allen
Props:
Jeffrey Rollins
Rigging Gaffer:
Chris Napolitano
Screenplay:
Cameron Crowe
Seamstress:
Alice S. Awad
Second Assistant Camera:
Renee Treyball
Second Assistant Director:
David Kelley
Jill Southern
Second Second Assistant Director:
Laurie Webb
Set Decoration:
Robert Greenfield
Set Designer:
Charisse Cardenas
Mindy R. Toback
Conny Boettger-Marinos
Set Dresser:
Pete Gikas
Chris Peterson
Jeannine Stevens
Rod Gregory
Joe Viau
Sound Re-Recording Mixer:
Doug Hemphill
Rick Kline
Paul Massey
Special Effects Coordinator:
Jim Schwalm
Special Effects Supervisor:
John Frazier
Special Effects Technician:
Jim Jolly
Still Photographer:
Neal Preston
Stunt Coordinator:
Charles Croughwell
Supervising Sound Editor:
Michael D. Wilhoit
Tailor:
Francisco Mares
Visual Effects Supervisor:
Ed Jones
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.