A work in constant progress (and occasional regress).
Release Date:
May 6, 2022
Original Title:
Loin du périph
Alternate Titles:
A leszámolás
De l'autre côté du périph' 2
Due agenti molto speciali 2
Ein MordsTeam ermittelt wieder
Incompatibles 2
Les gars sûrs
Loin du périph
Nieobliczalni 2
Os Opostos Sempre Se Atraem
The Takedown
Zase nepoužitelní
Zoraki İkili
Жарти в сторону 2
Шутки в сторону 2
רחוק מהבית
شرطيّان في مهمّة
เดอะ เทคดาวน์
アンタッチャブルズ: ザ・リターン
アンタッチャブルズ:ザ・リターン
城郊的另一边2
耍宝警探
투캅스 인 파리: 더 테이크다운
Genres:
Action | Comedy
Production Companies:
Mandarin Production
Production Countries:
France
Ratings / Certifications:
BR: 16 DE: 16 FR: 16 GB: 15 SG: R21 TR: 18+ UA: 16+
Runtime: 119
Ousmane Diakité and François Monge are two cops with very different styles, backgrounds and careers. The unlikely pair are reunited once again for a new investigation that takes them across France. What seemed to be a simple drug deal turns out to be a much bigger criminal case wrapped in danger and unexpected comedy.
Associate Producer:
Spencer Hawken
Casting:
Marine Albert
Costume Design:
Camille Janbon
Dialogue Editor:
Sébastien Jeannot
Director:
Louis Leterrier
Director of Photography:
Thomas Hardmeier
Editor:
Vincent Tabaillon
Foley Artist:
Grégory Vincent
Hairstylist:
Lucas Coulon
Line Producer:
Henri Deneubourg
Makeup Artist:
Philomène Lucas
Karine Palazzi
Stéphane Robert
Music:
Guillaume Roussel
Producer:
Eric Altmayer
Nicolas Altmayer
Production Design:
Françoise Dupertuis
Screenplay:
Stéphane Kazandjian
Set Decoration:
Judith Lacour
Sound Editor:
Simon Poupard
Sound Mixer:
Thomas Lascar
Sound Re-Recording Mixer:
François-Joseph Hors
Pierre-Jean Labrusse
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.