A work in constant progress (and occasional regress).
Release Date:
January 1, 2004
Original Title:
The Gerson Miracle
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 91
In 1928, Dr. Max Gerson, a German-Jewish researcher, stumbled upon a therapy that has cured tens of thousands of people worldwide since then, including patients's previously thought incurable by their doctors. For the first time, this film chronicles the epic true story of Gerson's miracle. A cure for cancer and most other chronic and degenerative diseases has been available since 1928. The therapy was developed by Max Gerson, MD, a German Jewish physician, hailed by Nobel Laureate Albert Schweitzer as, “the most brilliant medical genius ever.” Nine Gerson patients relate stories of recovery from the most deadly cancers (liver, ovarian, pancreatic) up to nineteen years ago. Their inspiring testimonies are powerful evidence of the Therapy’s effectiveness. Charlotte Gerson also describes her lifelong efforts to keep the Therapy alive despite powerful opposition.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.