A work in constant progress (and occasional regress).
Release Date:
March 7, 2024
Original Title:
Ozi: Voice of the Forest
Alternate Titles:
Ози: Голос джунглей
Озі: Голос Лісу
Genres:
Adventure | Animation | Family
Production Companies:
Appian Way
GCI Film
GFM Animation
Mike Medavoy Productions
Mikros Animation
Production Countries:
France | India | United Kingdom | United States of America
Ratings / Certifications:
CZ: U GB: PG IE: PG KR: ALL LT: V NL: 6 RU: 6+ SG: PG TR: 6A ZA: PG
Runtime: 87
Separated from her parents when their forest home is destroyed, Ozi is taken in by kind wildlife sanctuary owners who keep her safe and slowly teach her to communicate through sign language. With the combination of her new skills and natural talent for social media, Ozi soon has a worldwide following. When she learns that her parents might be alive, Ozi sets off on a quest to find them and to tell the world what is happening to the rainforest before it’s too late. With help from new friends, cheeky monkey Chance and loveable rhino Honkus, Ozi discovers that one voice really can change the world.
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Additional Writing:
Sean Mullen
Patrick Morris
Animation Supervisor:
Rubul Das
Art Direction:
Stéphane Daegelen
Casting:
Rebecca Farhall
Gail Stevens
Colorist:
Vicki Matich
Creator:
Keith Chapman
Director:
Tim Harper
Editor:
Mélanie Moulin
Executive Producer:
Julien Meesters
Phillip Watson
Jennifer Davisson
Mike Medavoy
First Assistant Editor:
Cécile Vève
Head of Animation:
Sean Mullen
Head of Production:
Amandine Bruneau
Head of Story:
Sean Mullen
Lead Character Designer:
Julien Le Rolland
Line Producer:
Nathalie Masseret
Music:
Elwin Hendrijanto
Original Music Composer:
Richard Harvey
Producer:
Graham Appleby
Rodrigo Blaas
Keith Chapman
Adam Stanhope
Ramsay McBean
Leonardo DiCaprio
Production Coordinator:
Aurélie Garnier
Production Designer:
Stéphane Daegelen
Screenplay:
Ricky Roxburgh
Story:
Rodrigo Blaas
Alan Duncan Ross
Keith Chapman
Storyboard Artist:
Marylène Sun
Satjit Matharu
VFX Supervisor:
Manuel Souillac
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.