A work in constant progress (and occasional regress).
Release Date:
January 10, 2021
Original Title:
The Nanny Murders
Alternate Titles:
Nanny Danger
Nanny's Killer Scandal
فضيحة قتل المربية
Genres:
Crime | TV Movie | Thriller
Production Companies:
Reel One Entertainment
The Cartel
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 85
A young woman reluctantly takes a job as a Nanny, for a well-known businessman. He quickly makes advances towards her, which she rejects, only for his passion to become deadly.
ADR Mixer:
Travis MacKay
Best Boy Electric:
Kyle Sloan
Major W. Latimer
Casting:
Paul Ruddy
Costume Designer:
Dandi Dewey
Costumer:
Rio Warner
Dialogue Editor:
Alan Schultz
Digital Imaging Technician:
Chris Clancy
Derek Beiter
Digital Intermediate Colorist:
Narbeh Tatoussian
Director:
Gigi Gaston
Director of Photography:
Michael Street
Editor:
Josh Noyes
Executive Producer:
Carla Woods
Tom Berry
Louisa Cadywould
Breanne Laplante
David DeCrane
Sebastian Battro
First Assistant Camera:
Anthony Pesce
Jacqueline Bao
First Assistant Director:
Javier Galaviz
Gaffer:
Mike Roddy
Key Makeup Artist:
Jessica Torres
Line Producer:
Brad LaFave
Makeup Department Head:
Cortney Heiser
Music:
Lawrence Shragge
Miles Bergsma
Post Production Coordinator:
Jessa Gordon
Post-Production Manager:
Wei Wilson
Producer:
Eric Scott Woods
Stan Spry
Production Accountant:
Catherine Neiman
Production Coordinator:
Joe Carroll
Production Design:
Carolina Inoue
Script Supervisor:
Dora Hopkins
Second Assistant Camera:
Erika Rydell
Dusty Saunders
Second Assistant Director:
Steven Luna
Set Decoration:
Tyler J. Curry
Sound Mixer:
Jonathan Scott
Sound Re-Recording Mixer:
Kyle O'Neil
Still Photographer:
Wei Wilson
Supervising Sound Editor:
Alan Schultz
Writer:
Brooke Purdy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.