A work in constant progress (and occasional regress).
Release Date:
October 25, 1965
Original Title:
Das Kaninchen bin ich
Alternate Titles:
A nyúl én vagyok
I Am the Rabbit
The Rabbit Is Me
Genres:
Drama | Romance
Production Companies:
DEFA
Production Countries:
East Germany
Ratings / Certifications:
DE: 12
Runtime: 110
The Rabbit Is Me was made in 1965 to encourage discussion of the democratization of East German society. In it, a young student has an affair with a judge who once sentenced her brother for political reasons; she eventually confronts him with his opportunism and hypocrisy. It is a sardonic portrayal of the German Democratic Republic's judicial system and its social implications. The film was banned by officials as an anti-socialist, pessimistic and revisionist attack on the state. It henceforth lent its name to all the banned films of 1965, which became known as the "Rabbit Films." After its release in 1990, The Rabbit Is Me earned critical praise as one of the most important and courageous works ever made in East Germany. It was screened at The Museum of Modern Art in 2005 as part of the film series Rebels with a Cause: The Cinema of East Germany.
Assistant Production Manager:
Dieter Anders
Costume Designer:
Rita Bieler
Director:
Kurt Maetzig
Director of Photography:
Erich Gusko
Dramaturgy:
Christel Gräf
Editor:
Helga Krause
First Assistant Camera:
Wolfgang Ebert
First Assistant Director:
Hanna Georgi
Gaffer:
Ernst Deckow
Makeup Artist:
Rosemarie Stäglich
Lothar Stäglich
Music:
Gerhard Rosenfeld
Reiner Bredemeyer
Novel:
Manfred Bieler
Production Design:
Alfred Thomalla
Production Manager:
Oscar Ludmann
Production Supervisor:
Martin Sonnabend
Property Master:
Alfred Schütz
Second Assistant Camera:
Jörg Erkens
Second Assistant Director:
Siegbert Fischer
Sound:
Konrad Walle
Writer:
Manfred Bieler
Kurt Maetzig
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.