A work in constant progress (and occasional regress).
Release Date:
March 10, 2018
Original Title:
Не моя история
Alternate Titles:
Ne moya istoriya
Genres:
Documentary
Production Countries:
Russia
Ratings / Certifications:
N/A
Runtime: 21
Five of the six heroes of the film came to Kazan from different parts of the earth to go beyond their fear and for the first time openly declare their HIV status by running a marathon in a special uniform. For Deanna, who flew in from Australia with her 70-year-old mother, talking about her diagnosis is a daily job throughout her life. She is an example for the American Sean, who prepared for the "coming out" long and carefully. Seam is sure that his parents in an Indonesian village will hardly ever know about his participation in the Open Faces team in distant Kazan. Zhandos, a young doctor from Kazakhstan, only worries about how the news will affect his mother.
Director:
Alena Alenkina
Director of Photography:
Alena Alenkina
Anastasiya Ivanova
Alexandr Shirmanov
Editor:
Alexandra Karelina
Line Producer:
Anastasiya Kunets
Producer:
Alena Alenkina
Andrey Zlobin
Screenplay:
Vladislava Zhukovskaya
Sound Director:
Evgeny Plank
Yuliya Shirokova
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.