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Young Woman and the Sea (2024) [PG]

Release Date:
May 31, 2024

Original Title:
Young Woman and the Sea

Alternate Titles:
Die junge Frau und das Meer
Genç Kadın ve Deniz
La jeune femme et la mer
女人与海
年轻女子与海
泳者之心
追浪少女

Genres:
Drama | History

Production Companies:
Jerry Bruckheimer Films
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 6  AU: PG  BR: 12  CA: PG  CH: 6  DE: 6  GB: PG  IE: PG  JP: PG12  KR: 12  MX: B  NL: 6  NO: 9  NZ: PG  PR: PG  SG: PG13  TR: 13+  TW: 12+  US: PG  VI: PG 

Runtime: 129

Defy the odds.

Overview from TheMovieDB

This is the extraordinary true story of Trudy Ederle, the first woman to successfully swim the English Channel. Through the steadfast support of her older sister and supportive trainers, she overcame adversity and the animosity of a patriarchal society to rise through the ranks of the Olympic swimming team and complete the 21-mile trek from France to England.

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Performers

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Production

"A" Camera Operator:
Matias Messa

"B" Camera Operator:
Ivan Vatsov
Ivaylo Ivanov

"C" Camera Operator:
Geo Ivanov

"D" Camera Operator:
Mihail Yanakiev

ADR Mixer:
Mark Appleby
Caitlin McDaid

Art Direction:
Deyan Kirilov
Dmytro Parkhomenko
Emil Gigov

Assistant Property Master:
Preslav Valchev

Associate Producer:
John K. Campbell

Best Boy Electric:
Svetoslav Cheresharski

Best Boy Grip:
Razvan Paslaru

Book:
Glenn Stout

Boom Operator:
Sheila McNaught

Casting:
Fiona Weir

Co-Producer:
Melissa Reid

Conductor:
Robert Ziegler

Costume Design:
Gabriele Binder

Costume Supervisor:
Jasmina Vasileva

Dialogue Editor:
Buster Flaws

Digital Imaging Technician:
Anthony Dias

Director:
Joachim Rønning

Director of Photography:
Óscar Faura

Dolly Grip:
Ilie-Cătălin Stoica

Draughtsman:
Maria Doicheva

Drone Pilot:
Dimitar Krastev

Editor:
Úna Ní Dhonghaíle

Executive Producer:
Joachim Rønning
John G. Scotti
Daisy Ridley

First Assistant "A" Camera:
Luis Lattanzi

First Assistant "B" Camera:
Ivaylo Tsvetkov

First Assistant "C" Camera:
Vasil Paunov

First Assistant Director:
Darin Rivetti

First Assistant Editor:
Nick Davis

Foley Artist:
Erik S. Watland

Foley Recordist:
Katrine Stolp Rolund

Gaffer:
Hristo Idakiev

Key Grip:
Ian Bird

Marine Coordinator:
Daren Bailey

Music Editor:
Al Green

Music Score Producer:
Lorne Balfe

Orchestrator:
Anthony Weeden

Original Music Composer:
Amelia Warner

Other:
Tímea Kalderák

Post Production Supervisor:
Rebecca Adams

Producer:
Jeff Nathanson
Chad Oman
Jerry Bruckheimer

Producer's Assistant:
Connor Purcell

Production Coordinator:
Monika Spasova

Production Design:
Nora Takacs Ekberg

Production Supervisor:
Chris Kuhl

Property Master:
Dirk Buchmann

Second Assistant "A" Camera:
Sam Cig

Second Assistant "B" Camera:
Konstantin Vasilev

Second Assistant "C" Camera:
Simona Ravalieva

Set Decoration:
Orlin Grozdanov
Panni Lutter

Set Designer:
Giannis Skafidas
Veselin Lesev
Yossif Mladenov

Sound Effects Editor:
Ryan Twyman
Chris Howard
Jeremy Price

Sound Re-Recording Mixer:
Mike Prestwood Smith
Steve Single
Tormod Ringnes

Special Effects Supervisor:
Ivo Jivkov

Standby Art Director:
Zoltán Virányi-Fontan

Steadicam Operator:
Nikolai Kerezov
Matias Messa

Still Photographer:
Elena Nenkova

Stunt Double:
Marina Yordanova

Supervising ADR Editor:
Becki Ponting

Supervising Art Director:
Ivan Rangelov

Supervising Dialogue Editor:
Becki Ponting

Supervising Music Editor:
Timeri Duplat

Temp Music Editor:
Yann McCullough
Allegra Desouza

Third Assistant Director:
Elena Mateva

Underwater Camera:
Geo Ivanov

Underwater Director of Photography:
Peter Zuccarini

Unit Production Manager:
John G. Scotti
Joe Lotito

Visual Effects Producer:
Carrie Rishel

Visual Effects Supervisor:
Richard Briscoe

Writer:
Jeff Nathanson

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.