A work in constant progress (and occasional regress).
Release Date:
November 5, 2021
Original Title:
Syke-elokuva: Hätätila
Alternate Titles:
Syke: Hyökkäys sairaalaan
Syke: Krisläge
Genres:
Drama | Thriller
Production Companies:
Yellow Film & TV
Production Countries:
Finland
Ratings / Certifications:
FI: K-12
Runtime: 100
Iiris tries to recover from her difficult separation with Artturi when she unexpectedly meets Anton. The relationship doesn't get a chance to progress far when Iiris' son Niilo suddenly becomes ill. Niilo would only need a small operation, but once the boy enters the operating room, the hospital is subjected to a cyber attack. The power is cut off, the ventilators stop working and all access to patient data is blocked. Nurses have to prioritize whose life is the most valuable.
"B" Camera Operator:
Ilari Suhonen
Assistant Director:
Maiju Pellikka
Colorist:
Antti Peltoranta
Costume Design:
Henna-Riikka Taskinen
Dialogue Editor:
Mika Niinimaa
Director:
Toni Laine
Director of Photography:
Konsta Sohlberg
Editor:
Pekka Lehtikangas
Executive Producer:
Jorma Reinilä
Olli Haikka
First Assistant Camera:
Aleksi Tilli
Foley Artist:
Toni Ilo
Foley Recordist:
Jani Nikander
Gaffer:
Simo Friman
Erkka Lehto
Grip:
Riku Roimu
Head of Production:
Heidi Laitinen
Lighting Technician:
Atte Pulkkinen
Line Producer:
Riikka Pääkkönen
Location Scout:
Markus Uotinen
Makeup Designer:
Mari Vaalasranta
Original Music Composer:
Karl Sinkkonen
Producer:
Jarkko Hentula
Marko Talli
Lotta Westerberg
Production Design:
Inka Matilainen
Production Sound Mixer:
Jari Alakoskela
Script Supervisor:
Salla Kotiranta
Second Assistant Director:
Anki Lappalainen
Saara Komulainen
Second Unit Director of Photography:
Ilari Suhonen
Sound Designer:
Tuukka Nikkilä
Sound Re-Recording Mixer:
Sami Sarhamaa
Third Assistant Director:
Olli Hietanen
Writer:
Petja Peltomaa
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.