A work in constant progress (and occasional regress).
Release Date:
May 26, 2023
Original Title:
The Juniors y La Fórmula Imperial
Alternate Titles:
The Juniors Saga
Genres:
Comedy | Drama | Fantasy | Science Fiction
Production Companies:
Cinetop
Glat Entertainment
Gobierno del Estado de Guanajuato
Phoenix Entertainment
Productora y comercializadora de Televisión
TVC
Production Countries:
Mexico | Spain
Ratings / Certifications:
ES: A MX: A US: PG
7 multimillionaire boys who venture into planning a social revolution, generated by video scandals and medical experiments. Its aim is to generate a change in the world's ideology and its problems with discrimination, sexting, cyber-bullying, their fathers, the conflict between social classes and the confrontation with their domestic girls. The film tells the life of Austin, a boy with absent and mysterious parents, who has a risky life changing the scientific and biological patterns in the world. The plot revolves around Austin Ibargüengoitia's obsessive intention and his close relationship with his best friends and money, creating a movement called "The Distortionist Movement", this movement tries to alter conventional social norms, its goal: to create a higher economic class than the existing one, but to reveal it, these seven teenage billionaires, set out to prove their loyalty by doing a task that will shake the world, in doing so they will reveal a school that has existed in ...
Coordinating Producer:
Itzel Tamayo
Director:
Ricardo Tavera
Director of Photography:
Raúl Uribe
Editor:
Lilian Nuñez
Executive Producer:
Armando Tavera
Gaffer:
Gabriel Garrido
Makeup & Hair:
Paulina Villa
Makeup Department Head:
Ricardo Trejo
Manager of Operations:
José Alfredo Díaz
Roberto Momi Rodríguez
Producer:
Cesar Tavera
Public Relations:
Jessika Morales
Set Photographer:
Andrés Prado
Sound:
Hugo Noriega Valencia
VFX Director of Photography:
Esteban Fernando cabezas
Writer:
Armando Tavera
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.