A work in constant progress (and occasional regress).
Release Date:
September 15, 2022
Original Title:
L'immensità
Alternate Titles:
A Imensidão
Beskrajna ljubav
Bezmiar
L'Immensità: Meine fantastische Mutter
L'mmensita - Por Amor
La Inmensidad
La inmensidad
Lõpmatu armastus
Min enastående mamma
Min enestående mor
Neskončnost
Rakas äitini
The Immensity
Uçsuz Bucaksız
Végtelenség
Απέραντη αγάπη
Безкрайността
Безмежність
Необъятность
巨大
羅馬年少時代
림멘시타
Genres:
Drama
Production Companies:
Chapter 2
France 3 Cinéma
Pathé
Warner Bros Pictures Italia
Wildside
Production Countries:
France | Italy
Ratings / Certifications:
AR: +13 CL: 14 DE: 12 FI: K-12 FR: TP GB: 12A|12 GR: K12 KR: 12 LT: N-13 NL: 14 PT: M/12 SE: 7 US: NR
Runtime: 98
Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.
Assistant Director:
Giuseppe Barletta
Costume Design:
Massimo Cantini Parrini
Director:
Emanuele Crialese
Director of Photography:
Gergely Pohárnok
Editor:
Clelio Benevento
Executive Producer:
Olivia Sleiter
First Assistant Director:
Ciro Scognamiglio
Producer:
Lorenzo Gangarossa
Mario Gianani
Dimitri Rassam
Production Design:
Dimitri Capuani
Set Decoration:
Alessia Anfuso
Sound Editor:
Simone Altana
Sound Effects Editor:
Paolo Amici
Federico Amodio
Daniele Quadroli
Fabrizio Quadroli
David Quadroli
Sound Re-Recording Mixer:
Francesco Tumminello
Supervising Producer:
Mandella Quilici
Saverio Giuseppe Guarascio
Visual Effects Supervisor:
Filippo Robino
Massimiliano Pareschi
Alessandro Tibiletti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.