A work in constant progress (and occasional regress).
Release Date:
November 4, 2021
Original Title:
Concessions
Genres:
Comedy
Production Companies:
Headless Duckie Media Group
Sentenza Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 24
It's the last night at the closing Royal Alamo Cineplex and two slacker employees work the concessions stand, arguing about life and movies while contemplating their futures.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Martina Di Licosa
Assistant Director:
Cami Olses
Boom Operator:
Rhea Li
Casting Director:
Olive Ryan
Costume Designer:
Jaclyn Goldstein
Director:
Mas Bouzidi
Director of Photography:
Derrick Chen
Editor:
Yush Raje
Executive Producer:
Jack Posner
First Assistant Camera:
George Du
Gaffer:
Matt Iacono
Grip:
Clint Pang
Line Producer:
Blair Taller
Original Music Composer:
John Michael Keville
Producer:
Ram Segura Khagram
Adrian Sobrado
Daniel Alejandro Beracha
Production Design:
Mehula Singh
Script Supervisor:
Liam Saban
Second Assistant Camera:
Allie Iacono
Sound Designer:
Robert Acocella
Sound Mixer:
Ewurakua Dawson-Amoah
Steadicam Operator:
Sam Rice
Still Photographer:
John Michael Keville
Unit Production Manager:
Connor Keep
Visual Effects Producer:
Rohan Sindgikar
Writer:
Mas Bouzidi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.