A work in constant progress (and occasional regress).
Release Date:
October 21, 2022
Original Title:
Un año, una noche
Alternate Titles:
Et år, en nat
Un an, une nuit
Un año, una noche
Genres:
Drama
Production Companies:
Bambú Producciones
La Termita Films
Mr. Fields and Friends
Noodles Production
StudioCanal
Production Countries:
France | Spain
Ratings / Certifications:
DE: 12 DK: 15 NO: 15 SE: 15
Runtime: 130
Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope.
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ADR Recordist:
Juan Rubio Morales
Alexander Pfitzner
Additional Gaffer:
Pierre Michaud
Additional Grip:
Thierry Ramanana
Art Department Trainee:
Susana Pérez Amenabar
Art Direction:
Laia Colet
Sébastien Gondek
Omid Gharakhanian
Assistant Camera:
Léo Brezot
Assistant Production Manager:
Gisela Remolins
Sara Barberán
Alexandra Raynaud
Assistant Property Master:
Elody Sermay
Assistant Sound Editor:
Juan Rubio Morales
Assistant Unit Manager:
Amandine-Laure Millot
Best Boy Electrician:
Camille Houguenague
Boom Operator:
Alfonso Castellanos
Casting:
Pierre-François Créancier
Rosa Estévez
Casting Assistant:
Louise Anselme
Colorist:
Gilles Granier
Concept Artist:
Alexis Fibla
Costume Assistant:
Vicente Campillo
Costume Design:
Alexia Crisp-Jones
Dialogue Editor:
Sergi Nogué
Digital Compositor:
Pablo Cano Al Meshhedani
Director:
Isaki Lacuesta
Director of Photography:
Irina Lubtchansky
Editor:
Fernando Franco
Sergi Dies
Electrician:
Quentin Pellissier
Adèle Belliot
Brice Roustang
Executive Producer:
Isa Campo
Sara Gonzalo
Teresa Fernández-Valdés
Extras Casting Assistant:
Pablo Barbetti
First Assistant Art Direction:
Núria Guardia
First Assistant Camera:
Romain Baudéan
Camille Clément
First Assistant Director:
Pol Rodríguez
Foley Artist:
Ivo Moraga
Miguel Barbosa
Foley Editor:
Xes Diéguez
Foley Mixer:
Diego S. Staub
Kevin Carvalho
Foley Recordist:
Soledad Vargas
Gaffer:
Laurent Bourgeat
Grip:
Strasser Matteo
Adrià Petanàs
Pierre-Alain Mainguy
Hairstylist:
Milou Sanner
Key Grip:
François-Xavier Walter
Line Producer:
Diego Polo
Location Scout:
Gwenaëlle Duriaud
Makeup Artist:
Alma Casal
Sophie Farsat
Music:
Raül Refree
Painter:
Camille Lemonnier
Carla Bossi
Post Production Supervisor:
Alexandre Isidoro
Producer:
Isaki Lacuesta
Teresa Fernández-Valdés
Ramón Campos
Jérôme Vidal
Isa Campo
Production Assistant:
Laura Torres Grijalba
Eliseu Ramió Güell
Production Design:
Laia Colet
Production Manager:
David Cuspinera
Monica Taverna
Laia Coll
Pierre-Alexandre Cascarino
Property Buyer:
Marion Le Borgne
Property Master:
Nate Nikrou
Script Supervisor:
Luna Tassin
Second Assistant Camera:
Emmanuelle Alaitru
Second Assistant Director:
Mónica Sánchez
Chloé Rosell
Second Unit Cinematographer:
Takuro Takeuchi
Set Designer:
Hodei Del Barrio
Sound:
Amanda Villavieja
Sound Designer:
Eva Valiño
Sound Editor:
Alejandro Castillo
Sound Re-Recording Assistant:
Àngel Bañuelos
Sound Re-Recording Mixer:
Alejandro Castillo
Marc Orts
Special Effects:
Wesley Barnard
Special Effects Technician:
Jesús Manuel Durán Martínez
Steadicam Operator:
Joan Morató
Still Photographer:
Manuel Fernández-Valdés
Stunt Coordinator:
Renato Camargos
Stunt Double:
Adriana Benito
Stunts:
Xesco Palacín
Jose Álvarez-Boze
Martina Valero
Supervising Producer:
Diego Polo
Third Assistant Director:
Cristina Alcalde
Guillem Manzanares
Visual Effects:
François Philippi
Visual Effects Coordinator:
Nerea Morales
Anna Escoda
Visual Effects Supervisor:
Laura Pedro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.