A work in constant progress (and occasional regress).
Release Date:
December 22, 2020
Original Title:
Natale in casa Cupiello
Genres:
Comedy | Drama | TV Movie
Production Companies:
Picomedia
Rai Fiction
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 110
Based on the tragicomedy written by Edoardo de Filippo in 1931, Christmas at the Cupiello's captures a life episode of a middle-class Italian family around Christmas. Shot in Neapolitan language, the movie has a whimsical charm.
Art Direction:
Stefania Vigna
Assistant Editor:
Alessandra Bonanni
Boom Operator:
Luigi Pini
Fabio Sabatini
Casting:
Costanza Boccardi
Costume Design:
Massimo Cantini Parrini
Creative Producer:
Francesco Pinto
Director:
Edoardo De Angelis
Director of Photography:
Ferran Paredes
Editor:
Lorenzo Peluso
Executive Producer:
Chiara Grassi
First Assistant Camera:
Stefano Meloni
First Assistant Director:
Giuseppe Eusepi
Foley Artist:
Paolo Frati
Gaffer:
Ettore Abate
Hair Department Head:
Mauro Tamagnini
Key Grip:
Enea Langella
Line Producer:
Linda Vianello
Makeup Department Head:
Valentina Tomljanovič
Original Music Composer:
Enzo Avitabile
Producer:
Marta Aceto
Roberto Sessa
Production Coordinator:
Laura Basile
Production Design:
Carmine Guarino
Production Manager:
Giovanni Battista Paoletti
Screenplay:
Edoardo De Angelis
Massimo Gaudioso
Script Supervisor:
Antonella Agresta
Second Assistant Camera:
Luigi Piepoli
Second Assistant Director:
Augusto Tescione
Timiana Scalzone
Giorgia Jo Avallone
Set Decoration:
Iole Autero
Sound:
Emanuele Cicconi
Sound Editor:
Alessandro Feletti
Sound Mixer:
Francesco Tumminello
Special Effects Coordinator:
Roberto Ricci
Still Photographer:
Gianni Fiorito
Theatre Play:
Eduardo De Filippo
VFX Supervisor:
Pasquale Di Viccaro
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.