A work in constant progress (and occasional regress).
Release Date:
November 25, 2020
Original Title:
Erotica 2022
Genres:
Drama
Production Companies:
Friends With Benefits Studio
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 137
Four stories about women's issues, loosely connected, and all with an erotic element.
3D Animator:
Jakub Ludwiczak
Marta Wysocka
Administration:
Karolina Witkowska
Assistant Editor:
Paweł Wójcik
Assistant Makeup Artist:
Julia Skorupa
Michalina Sroczyńska
Wioletta Mężyńska
Assistant Production Design:
Tomasz Wysocki
Assistant Property Master:
Robert Michalski
Jan Kępka
Maciej Telka
Camera Operator:
Adam Lenart
Rafał Paradowski
Ita Zbroniec-Zajt
Szymon Kuriata
Piotr Chłopecki
Casting:
Paulina Krajnik
Catering:
Krzysztof Adamus
Aleksandra Kraśnicka
Jolanta Musiał
Aneta Kielak
Grzegorz Tobera
Jan Słupski
Marek Kraśnicki
Choreographer:
Paweł Sakowicz
Compositing Artist:
Sylwester Lipiński
Agnieszka Ratyńska
Roman Pron
Jakub Petruk
Sergii Kostyshyn
Compositing Lead:
Tomasz Tejchman
Costume Assistant:
Michalina Łukasik
Piotr Czupryn
Sylwia Szefer
Jakub Wójcik
Anna Adamiak
Dominika Święcicka
Emil Wysocki
Costume Design:
Hanna Podraza
Dorota Roqueplo
Maja Skrzypek
Dialogue Editor:
Małgorzata Czuro
Krzysztof Owczarek
Maciej Pawłowski
Director:
Anna Kazejak
Anna Jadowska
Kasia Adamik
Jagoda Szelc
Olga Chajdas
Director of Photography:
Rafał Paradowski
Ita Zbroniec-Zajt
Małgorzata Szyłak
Jacqueline Sobiszewski
Przemysław Brynkiewicz
Editor:
Anna Garncarczyk
Kasia Adamik
Anna Koc-Wittels
Maciej Pawliński
Executive Producer:
Jagoda Szelc
Anna Kazejak
Olga Chajdas
Anna Jadowska
Kasia Adamik
Focus Puller:
Sławomir Chyla
Grip:
Marek Rumak
Krzysztof Szulim
Marcin Brzezek
Paweł Magolon
Arkadiusz Rocki
Makeup Artist:
Zuzanna Stefańska
Olga Nejbauer
Monika Kaleta
Ewa Kowalewska
Makeup Effects:
Michał Zabielski
Master Lighting Artist:
Paweł Rosłon
Przemysław Sosnowski
Maciej Chmielewski
Matte Painter:
Marcin Bielenin
Original Music Composer:
Joanna Duda
Post Production Coordinator:
Kamila Polit
Producer:
Marta Lewandowska
Production Coordinator:
Małgorzata Banaszkiewicz
Zofia Kujawska
Liza Petrukhina
Magdalena Spławska
Production Design:
Katarzyna Sobańska
Marcel Sławiński
Mela Melak
Marcelina Początek-Kunikowska
Natalia Giza
Production Manager:
Marek Kozicki
Anna Palka
Zofia Kujawska
Marta Lewandowska
Aleksandra Cyganek
Props:
Marcin Wąsowski
Waldemar Kańczuga
Marcin Łakomy
Script:
Anna Garncarczyk
Magdalena Kovcin
Karolina Sławik
Ewa Żukowska
Maria Kujawska
Anna Więcek
Sound:
Krzysztof Owczarek
Jerzy Murawski
Sound Designer:
Krzysztof Owczarek
Łukasz Świerzawski
Sound Effects Editor:
Łukasz Świerzawski
Krzysztof Owczarek
Sound Engineer:
Jerzy Murawski
Radosław Adamski
Special Effects Coordinator:
Piotr Krzyczmonik
Special Effects Technician:
Daniel Ramczykowski
Sebastian Liwiński
Piotr Nowacki
Jakub Krzyczmonik
Leszek Liwiński
Special Props:
Maciej Mędrala
Steadicam Operator:
Maciej Tomków
Adam Mendry
Mateusz Wasążnik
Still Photographer:
Michalina Zygarłowska
Hubert Komerski
Filip Tomczak
Stunt Coordinator:
Marek Sołek
Stunt Driver:
Marta Szatniak
Piotr Wasiluk
Łukasz Szczepańczyk
Michał Mazur
Klaudia Kondracka
Piotr Kozłowski
Aleksandra Skupinska
Stunts:
Tomasz Lewandowski
Bartosz Kamiński
Kamil Woś
Remigiusz Kramek
Marcin Świerczyński
Tomasz Lewandowski
Paweł Jusiński
VFX Supervisor:
Szymon Kania
Łukasz Omasta
Visual Effects Producer:
Zuzanna Hencz
Writer:
Jagoda Szelc
Kasia Adamik
Ilona Witkowska
Anna Kazejak
Grażyna Plebanek
Gaja Grzegorzewska
Joanna Bator
Olga Tokarczuk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.