A work in constant progress (and occasional regress).
Release Date:
June 24, 2013
Original Title:
The Making of an Avant-Garde: The Institute for Architecture and Urban Studies 1967-1984
Genres:
Documentary
Production Companies:
Diana Agrest Films
Ratings / Certifications:
N/A
Runtime: 64
The Making of an Avant-Garde presents the creation and existence of the IAUS in the architectural, cultural, and political climate of the time, from the anti-War riots, the Women's Movement to the Paris May '68 revolution and the crime ridden and the bankrupt New York City of the 70's, through rich and abundant footage. The Institute, founded in 1967 with close ties to The Museum of Modern Art, made New York the global center for architectural debate and redefined architectural discourse in the United States. A place of immense energy and effervescence, its founders and participants were young and hardly known at the time but would ultimately become some of the most influential figures in the field shaping architectural practice and theory for decades. The Institute became the most significant and energetic crossroad in the path of rethinking architecture and the city and it's influence is still felt today.
3D Artist:
Carl Pfirman
Additional Camera:
Josh Little
David Quantic
Additional Editing:
Julia A.G. Storm
James Thayer
Additional Production Assistant:
Yael Hameiri
Nelson Figallo
Tamar Zinguer
Daniel Meridor
Additional Writing:
Julia A.G. Storm
Carl Pfirman
Cinematography:
Jeremiah Crowell
Color Timer:
Suny Behar
Director:
Diana Agrest
Editor:
Carl Pfirman
Producer:
Diana Agrest
Julia A.G. Storm
Production Assistant:
Elena Fanna
Julie Arrieu
Hans Kuzmich
Sound:
Kirk Nehring
Diana Milani
Sound Designer:
Max Ringham
Ben Ringham
Sound Editor:
Adam Parrish King
Sound Mixer:
Adam Parrish King
Writer:
Diana Agrest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.