A work in constant progress (and occasional regress).
Release Date:
October 31, 1992
Original Title:
Army of Darkness
Alternate Titles:
Army of Darkness: The Medieval Dead
Army of Darkness: The Ultimate Experience in Medieval Horror
Bruce Campbell vs. Army of Darkness
Captain Supermarket
El despertar del diablo 3
El ejército de las tinieblas
El ejército macabro
Evil Dead 3
Evil Dead 3: Army of Darkness
Evil Dead 3: El Ejército de las Tinieblas
Evil Dead III
Evil dead 3 - L'armée des ténèbres
Evil dead 3 L'armée des ténèbres
L'Armée des ténèbres
L'armée des ténèbres - Evil dead III
Noche alucinante 2: el ejército de las tinieblas
O Exército das Trevas
Posesión Infernal 3 El Ejercito de las Tinieblas
Smrtelné zlo 3
Tanz Der Teufel 3
Tanz der Teufel 3 - Armee der Finsternis
Tanz der Teufel III: Armee der Finsternis
The Army of Darkness
The Evil Dead 3: Army of Darkness
The Medieval Dead
Зловісні мерці 3: Армія темряви
מוות אכזרי 3
人玩鬼(1992)
死霊のはらわたIII/キャプテン・スーパーマーケット
Genres:
Comedy | Fantasy | Horror
Production Companies:
Dino de Laurentiis Communications
Renaissance Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 16 CA: PG CH: 12 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 15 HU: 16 IE: 15 IT: T KR: 12 NL: 16 NO: 15 PT: M/12 SE: 15 US: R
Runtime: 81
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Robert Deschaine
ADR Recordist:
David Jobe
ADR Supervisor:
Craig Clark
Art Direction:
Aram Allan
Assistant Art Director:
Charles Wood
Assistant Costume Designer:
Leslie Daniel Rainer
Assistant Director:
Heather Ling
Assistant Editor:
Debbie Ross
Gus Medina
Caoilfhionn Sweeney
Assistant Hairstylist:
Rebecca Alling
Assistant Makeup Artist:
Karen Keener
Assistant Production Coordinator:
Lynne Goldhammer
Rob Rinko
Assistant Property Master:
Charlotte Garnell-Scheide
Best Boy Electric:
John Martens
Best Boy Grip:
Kurt Grossi
Boom Operator:
Brad Knopf
Camera Loader:
David Garcia
Casting Director:
Ira Belgrade
Co-Producer:
Bruce Campbell
Construction Coordinator:
Aram Allan
Costume Designer:
Ida Gearon
Costume Supervisor:
Karyn Wagner
Costumer:
Karen Hare
Nicky Bradshaw
Director:
Sam Raimi
Director of Photography:
Bill Pope
Dolly Grip:
Jamie Young
Billy Pierson
Editor:
Bob Murawski
Sam Raimi
Editorial Manager:
Doug Haines
Extras Casting:
Diana Carroll
Julie Calman
First Assistant Camera:
Gregor Tavenner
Carolyn Chen
Ron Turowski
First Assistant Director:
John Cameron
First Assistant Editor:
Jody Fedele
Foley Artist:
Ellen Heuer
Joan Rowe
Foley Mixer:
Linda Corbin
Foley Recordist:
Mark Harris
Gaffer:
James J. Gilson
Joel Unangst
Dante Cardone
Hairstylist:
Julie M. Woods
Key Costumer:
Marisa Aboitiz
Key Grip:
Tony Mazzucchi
Key Hair Stylist:
Jeri Baker
Key Makeup Artist:
Anne Hieronymus
Leadman:
Peter M. Gurski
Location Manager:
Steve Garrett
Makeup Supervisor:
Camille Calvet
Music Editor:
Douglas M. Lackey
Original Music Composer:
Joseph LoDuca
Post Production Supervisor:
Gary Chandler
Producer:
Robert Tapert
Production Coordinator:
Anna-Lisa Nilsson
Laura Lutrell
Production Design:
Anton Tremblay
Property Master:
Michael Courville
Pyrotechnician:
Gary F. Bentley
Danny Cangemi
Script Supervisor:
Steve Gehrke
Second Assistant Director:
Sarah Addington
James Fitzgerald
Second Second Assistant Director:
Steve Coatney
Second Unit Director:
Doug Lefler
Second Unit Director of Photography:
Ken Arlidge
Second Unit First Assistant Director:
Robert Hume
Set Decoration:
Michele Poulik
Sound Designer:
Alan Howarth
Sound Effects:
Lance Brown
Lewis Goldstein
Larry Goodwin
Jason King
Jack Levy
Paul Menichini
George Nemzer
Sound Mixer:
Al Rizzo
Sound Re-Recording Mixer:
Matthew Iadarola
Gary Gegan
Sound Recordist:
Rich Gooch
Robert Jansen
Sound Supervisor:
Steven D. Williams
Alan Howarth
Special Effects Makeup Artist:
Tony Gardner
Special Effects Technician:
Billy Bryan
Still Photographer:
Melissa Moseley
Storyboard Artist:
Matsune Suzuki
James Mayeda
Doug Lefler
Stunt Coordinator:
Christopher Doyle
Stunts:
Sandy Berumen
Richard L. Blackwell
Chuck Borden
Eddie Braun
George B. Colucci Jr.
BJ Davis
Yannick Derrien
Dick Hancock
Bill Hart
Donna Keegan
Maria R. Kelly
Steven Lambert
Lane Leavitt
Gene LeBell
Ken Lesco
Jack Lilley
Dennis Madalone
'Wild' Bill Mock
Tom Morga
Bruce W. Morgan
Gary Morgan
Keith Morrison
John Nowak
Janet Lee Orcutt
Christian Page
John Sistrunk
Tim Trella
Chris Tuck
Jack Verbois
Brian J. Williams
Unit Production Manager:
Eric Gruendemann
Visual Effects Director:
William Mesa
Visual Effects Supervisor:
Richard Malzahn
Writer:
Sam Raimi
Ivan Raimi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.