A work in constant progress (and occasional regress).
Release Date:
October 6, 2023
Original Title:
The Burial
Alternate Titles:
The Burial: Krieg der Bestatter
Погребение
خاکسپاری
더 베리얼
Genres:
Drama | History
Production Companies:
Amazon MGM Studios
Big Indie Pictures
Bobby Shriver Productions
Double Nickel Entertainment
Foxxhole Productions
Maven Screen Media
Production Countries:
United States of America
Ratings / Certifications:
CA: 18A DE: 12 GB: 15 IE: 15 JP: R18+ MX: C NL: 18 PR: R RO: 18+ SG: NC16 TR: 18+ US: R
Runtime: 126
When a handshake deal goes sour, funeral home owner Jeremiah O'Keefe enlists charismatic, smooth-talking attorney Willie E. Gary to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice.
"A" Camera Operator:
Henry Tirl
"B" Camera Operator:
Austin Alward
Additional Editor:
Julie Carr
Aerial Camera Technician:
Bruce Vincent Logan
Nick Ramey
Art Direction:
Eric Jihwan Jeon
Alice Alward
Assistant Art Director:
Stephen Dudro
Adam Alonso
Assistant Costume Designer:
Jennifer Kennedy
Assistant Editor:
Nia Rose
Assistant Location Manager:
David Fields
Assistant Property Master:
Ashley Clements
Best Boy Electric:
Alex Vucic
Best Boy Grip:
Jim Wayer
Boom Operator:
Benjamin Farthing
Casting Associate:
Anna P. McCarthy
Theresa Hernandez
Casting Director:
Kim Taylor-Coleman
Chief Lighting Technician:
Chip Carey
Colorist:
Ryan Hymel
Construction Buyer:
Cydney Tucker
Construction Coordinator:
Erik van Haaren
Costume Coordinator:
Stefana A Campbell
Costume Design:
Mirren Gordon-Crozier
Costume Supervisor:
Leigha K. Lindsay
Dailies Manager:
Leeza Diott
Digital Compositor:
Nicolas Decara
Martín Zequeira
Digital Imaging Technician:
Paul Rahfield
Digital Intermediate Colorist:
Tim Stipan
Director:
Margaret Betts
Director of Photography:
Maryse Alberti
Dolly Grip:
Andy Luce
Chris Salamone
Drone Operator:
Fernando MacFarlane
Drone Pilot:
Daniel Waghorne
Editor:
Lee Percy
Electrician:
Ryan Goss
Executive In Charge Of Production:
Scott Foundas
Pamela Monroe
Executive Producer:
Ian Watermeier
Extras Casting:
Charlotte Gale
First Assistant "A" Camera:
Ryosuke Kawanaka
First Assistant "B" Camera:
Brandon Dauzat
First Assistant Director:
Lee Blaine
Joe May
Graphic Designer:
Evan Maddalena
Twig Leveque
Grip:
Mason Blair
Aha Hasan
Josef Hensgens
Jack Patterson
Hair Department Head:
Melissa Forney
Key Grip:
Nick Nicolay
Key Makeup Artist:
Michelle Cardoza
Lighting Technician:
Cole Thomas Barranco
Location Casting:
Meagan Lewis
Makeup Artist:
Laura Gorman
Alana J. Hogg
Shawn Janifer
Suzy Laney
Allison Lacour
Makeup Department Head:
Anouck Sullivan
Music:
Michael Abels
On Set Dresser:
Joie Todd Kerns
Original Story:
Jonathan Harr
Producer:
Trudie Styler
Celine Rattray
Jenette Kahn
Adam Richman
Datari Turner
Jamie Foxx
Bobby Shriver
Production Design:
Kay Lee
Production Sound Mixer:
Dustin Fleetwood
Production Supervisor:
Chelsea Krant
Property Master:
Michael S. Martin
Props:
McKensie McNeely
Marine Pascetta
Rigging Gaffer:
Joseph Paolucci Jr.
Screenplay:
Margaret Betts
Doug Wright
Second Assistant Camera:
Raheem Allen
Chad Taylor
Second Assistant Director:
Steve Lonano
Second Unit Director:
Ian Watermeier
Set Decoration:
Claire Sanchez
Set Decoration Buyer:
Michele Bardwell
Set Designer:
Katia Nájera
Jubilate Cox
Set Dresser:
Eric Ringbloom
Gregory T. Geniusz
Special Effects Coordinator:
Liam Hoppe
Steadicam Operator:
Henry Tirl
Still Photographer:
Skip Bolen
Transportation Captain:
Vinny Dovichi
Unit Production Manager:
Ian Watermeier
Video Assist Operator:
Adam Barth
Visual Effects:
Daniel Fradkin
Visual Effects Coordinator:
Cameron Target
Visual Effects Producer:
Matt Russell
Visual Effects Supervisor:
George Loucas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.