A work in constant progress (and occasional regress).
Release Date:
May 3, 2006
Original Title:
Cottonland
Genres:
Documentary
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 53
In this feature-length documentary, photographer Nance Ackerman describes the havoc prescription painkiller OxyContin wreaked in the already weakened Cape Breton town of Glace Bay. The film guides us through a culture of economic and social depression where we encounter men and women at different stages of dependency. Demystifying the world of the addict while showing us the complex social nexus that led to such despair, Cottonland emphasizes the importance of a collective approach to tackling addiction.
Additional Photography:
Eddie Buchanan
Kent Nason
Administration:
John William Lutz
Archival Footage Research:
Jan Nathanson
Leanne Fitzgerald
Assistant Editor:
Chris MacIntosh
Cinematography:
Alain Dupras
Co-Director:
Eddie Buchanan
Colorist:
Doug Woods
Director:
Nance Ackerman
Editor:
Angela Baker
Executive Producer:
Kent Martin
Graphic Designer:
Claire Hodge
Melanie Lowe
Roz Power
Location Manager:
Jan Nathanson
Music:
Jamie Alcorn
Musician:
Nance Ackerman
David Burton
Jamie Gatti
Online Editor:
Doug Woods
Post Production Supervisor:
Roz Power
Producer:
Annette Clarke
Production Supervisor:
Patricia Coughran
Sound:
Aram Kouyoumdjian
Eva Madden
Jane Porter
John Rosborough
Alex Salter
Sound Editor:
John Rosborough
Sound Mixer:
Jean Paul Vialard
Still Photographer:
Nance Ackerman
Julé Malet-Veale
Transcriptions:
Lisa Clarke
Bonnie Druhan
Writer:
Nance Ackerman
Eddie Buchanan
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.