A work in constant progress (and occasional regress).
Release Date:
October 30, 2020
Original Title:
Orca
Alternate Titles:
Orca 2020
Genres:
Drama
Production Companies:
Viaplay Group
Warner Bros. International Television Production Sweden
Production Countries:
Sweden
Ratings / Certifications:
SE: 7
Runtime: 105
Eleven people, isolated from the outside world, communicate via screens. A son wants to hold the hand of his suffering mother. Love grows. A mother has abandoned her family. A therapist finds himself at the edge of ruin. A daughter connects with her parents.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Per Sundström
Additional Editor:
Ellen von Zweigbergk
Assistant Camera:
Anton Bergström
Boom Operator:
Eddie Boschek
Colorist:
Carl Skaff
Dialogue Editor:
Mattias Eklund
Jens Johansson
Digital Imaging Technician:
Tim Larsson
Director:
Josephine Bornebusch
Director of Photography:
Ragna Jorming
Editor:
Sarah Patient Nicastro
Executive Producer:
Fredrik Ljungberg
Josephine Bornebusch
Filippa Wallestam
Johan Hedman
First Assistant Director:
Henri Rondahl
Foley Artist:
David Silverin
Line Producer:
Niklas Siöström
Music Supervisor:
Magnus Palmborg
Original Music Composer:
Sophia Ersson
Producer:
Sofie Palage
Production Coordinator:
Mauro Ubeira
Property Master:
Hanna Lambertz
Sound Designer:
Mattias Eklund
Sound Effects Editor:
Mattias Eklund
Fredrik Dalenfjäll
Sound Mixer:
Anders Niva
Sound Re-Recording Mixer:
Sarah Patient Nicastro
Mattias Eklund
Supervising Sound Editor:
Mattias Eklund
Visual Effects Coordinator:
Zsofia Pauliczky
Visual Effects Producer:
Martin Nilsson
Visual Effects Supervisor:
Jacob Gåfvels
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.