Amor y Asfixia (2020) [N/A]

Release Date:
November 1, 2020

Original Title:
Amor y Asfixia

Production Companies:
Universidad del Cine

Production Countries:
Argentina

Ratings / Certifications:
 N/A

Runtime: 9

Exploring body and dance through love

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

Additional information:

The Search Form


Art Direction:
Paula Monesterolo

Assistant Art Director:
Sara Barugel

Assistant Camera:
Joaquín Pulpeiro

Assistant Director:
Antonio Carrón

BTS Photographer:
Sofía Calderón

Business Affairs Coordinator:
Belén Pellicano

Camera Operator:
Belén Pellicano

Cinematography:
Gabriel Argüello

Colorist:
Julia Gestoso

Director:
Daniela Escolar

Editor:
Leonardo Cardemil

Focus Puller:
Lucila Rivas

Foley:
Francisco Nobile

Gaffer:
María Burgos Oviedo

Graphic Designer:
Sara Barugel

Musician:
Theo Naishtat
Guido González

Post Production Supervisor:
Andrea Sarno
Roberto Porta
Evgeniia Rylova
Miguel G. Massenio
José Andrés Geria

Producer:
Daniela Escolar

Production Assistant:
Theo Fernández

Production Manager:
Camilo Benitez

Sound Mixer:
Francisco Nobile

Sound Post Supervisor:
Camilo Molina
Martin Gorosito

Steadicam Operator:
Gonzalo Crevatin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.