Love Again (2023) [PG-13]

Release Date:
May 4, 2023

Original Title:
Love Again

Alternate Titles:
Aimer à nouveau
Amor a primer mensaje
It's All Coming Back to Me
Love Again
O Amor Mandou Mensagem
Text for You
Знову любов
Люби снова
寄往天堂的情书
短信情缘
缘来可以爱多次
重新再爱

Genres:
Comedy | Drama | Romance

Production Companies:
2.0 Entertainment
Screen Gems
Thunder Road

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 12  CZ: 12+  DK: A  ES: A  FI: S  FR: TP  GB: 12A  IL: All  LT: N-13  PL: 16  PR: PG-13  SE: Btl  US: PG-13 

Runtime: 104

Destiny has a plan.

Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"A" Camera Operator:
Sebastian Barraclough

ADR Mixer:
Jamison Rabbe

Art Department Assistant:
Sam Roelandts

Art Department Trainee:
Francis Scott

Art Direction:
Keely Lanigan-Atkins

Assistant Art Director:
Jan Gronczewski

Assistant Costume Designer:
Dominika Mandic

Assistant Editor:
Nate Whiteside

Assistant Location Manager:
Joel Fitzpatrick

Assistant Set Decoration:
Sophie Coombes

Best Boy Grip:
Tino Liverton

Boom Operator:
Lee Grainge

Camera Trainee:
Maxim Dunn

Casting:
Kirsty Kinnear
Susie Figgis

Construction Manager:
John Moolenschot

Costume Assistant:
Geanie Cussons

Costume Designer:
Annie Symons

Costume Supervisor:
Elizabeth Kirby

Crowd Assistant Director:
Mark Cockren

Digital Compositor:
Marta Miceli
Alberto Francesco Tabanelli
Gaia Tradico
Tommy Williamson
Sara Tomarchio
Maria Francesca Sputore

Digital Imaging Technician:
Lincoln Benjamin
C.J. Miller

Director:
Jim Strouse

Director of Photography:
Andrew Dunn

Editor:
Jesse Gordon

Electrician:
Wailoon Chung
Jason Ashe

Executive In Charge Of Production:
Scott Strauss

Executive Producer:
Doug Belgrad
Céline Dion
Sophie Cassidy
Jonathan Fuhrman
Louise Killin
Denis Savage
Dave Platel

First Assistant "A" Camera:
Tobias Eedy

First Assistant Director:
Cordelia Hardy

First Assistant Sound Editor:
Lee Grainge

Gaffer:
Andy Long
Shane D. Kelly

Grip:
Spencer Butcher
Jeremy Settles

Key Costumer:
Ciara James

Key Grip:
Jeremy Brussell
Simon Thorpe

Location Manager:
Adam Betterton

Makeup Artist:
Scarlett McPherson
Chloe Meddings

Makeup Designer:
Christine Blundell

Makeup Supervisor:
Lesa Warrener

Music:
Keegan DeWitt

Music Editor:
Jaclyn Newman Dorn

Novel:
Sofie Cramer

Producer:
Esther Hornstein
Erica Lee
Basil Iwanyk

Production Design:
Rebecca Milton

Property Master:
Muffin Green

Rigging Gaffer:
Warren Ewen

Screenplay:
Jim Strouse

Script Supervisor:
Suzanne McGeachan

Second Assistant Camera:
Shun Otsubo
Sam Irwin

Set Decoration:
Maudie Andrews

Set Production Assistant:
Alex Critchley
Daisy Rodger

Songs:
Céline Dion

Sound Effects Editor:
Samuel Nacach

Sound Re-Recording Mixer:
Kyle O'Neal

Standby Art Director:
Andrew Howard

Standby Carpenter:
Steve Carling

Standby Painter:
Thea Von-Mantripp

Standby Rigger:
Jason O'Brien

Steadicam Operator:
Sebastian Barraclough

Still Photographer:
Giles Keyte

Storyboard Artist:
Jason Mayoh

Stunt Coordinator:
Mark Henson

Stunt Driver:
John Street

Supervising Art Director:
Astrid Sieben

Tailor:
Josephine Gilbert

Theme Song Performance:
Céline Dion

Third Assistant Director:
Thom McNally

Unit Production Manager:
Sam Breckman
Andrea Ajemian

VFX Supervisor:
Robert Grasmere
Jamie Wood

Video Assist Operator:
Guy McCormack

Visual Effects Compositor:
Matthew Bane

Visual Effects Producer:
Richard Ivan Mann
Abhishek More

Visual Effects Supervisor:
Luca Saviotti

Vocals:
Céline Dion

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.