A work in constant progress (and occasional regress).
Release Date:
May 4, 2023
Original Title:
Love Again
Alternate Titles:
Aimer à nouveau
Amor a primer mensaje
It's All Coming Back to Me
Love Again
O Amor Mandou Mensagem
Text for You
Знову любов
Люби снова
寄往天堂的情书
短信情缘
缘来可以爱多次
重新再爱
Genres:
Comedy | Drama | Romance
Production Companies:
2.0 Entertainment
Screen Gems
Thunder Road
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 12+ DK: A ES: A FI: S FR: TP GB: 12A IL: All LT: N-13 PL: 16 PR: PG-13 SE: Btl US: PG-13
Runtime: 104
Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.
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"A" Camera Operator:
Sebastian Barraclough
ADR Mixer:
Jamison Rabbe
Art Department Assistant:
Sam Roelandts
Art Department Trainee:
Francis Scott
Art Direction:
Keely Lanigan-Atkins
Assistant Art Director:
Jan Gronczewski
Assistant Costume Designer:
Dominika Mandic
Assistant Editor:
Nate Whiteside
Assistant Location Manager:
Joel Fitzpatrick
Assistant Set Decoration:
Sophie Coombes
Best Boy Grip:
Tino Liverton
Boom Operator:
Lee Grainge
Camera Trainee:
Maxim Dunn
Casting:
Kirsty Kinnear
Susie Figgis
Construction Manager:
John Moolenschot
Costume Assistant:
Geanie Cussons
Costume Designer:
Annie Symons
Costume Supervisor:
Elizabeth Kirby
Crowd Assistant Director:
Mark Cockren
Digital Compositor:
Marta Miceli
Alberto Francesco Tabanelli
Gaia Tradico
Tommy Williamson
Sara Tomarchio
Maria Francesca Sputore
Digital Imaging Technician:
Lincoln Benjamin
C.J. Miller
Director:
Jim Strouse
Director of Photography:
Andrew Dunn
Editor:
Jesse Gordon
Electrician:
Wailoon Chung
Jason Ashe
Executive In Charge Of Production:
Scott Strauss
Executive Producer:
Doug Belgrad
Céline Dion
Sophie Cassidy
Jonathan Fuhrman
Louise Killin
Denis Savage
Dave Platel
First Assistant "A" Camera:
Tobias Eedy
First Assistant Director:
Cordelia Hardy
First Assistant Sound Editor:
Lee Grainge
Gaffer:
Andy Long
Shane D. Kelly
Grip:
Spencer Butcher
Jeremy Settles
Key Costumer:
Ciara James
Key Grip:
Jeremy Brussell
Simon Thorpe
Location Manager:
Adam Betterton
Makeup Artist:
Scarlett McPherson
Chloe Meddings
Makeup Designer:
Christine Blundell
Makeup Supervisor:
Lesa Warrener
Music:
Keegan DeWitt
Music Editor:
Jaclyn Newman Dorn
Novel:
Sofie Cramer
Producer:
Esther Hornstein
Erica Lee
Basil Iwanyk
Production Design:
Rebecca Milton
Property Master:
Muffin Green
Rigging Gaffer:
Warren Ewen
Screenplay:
Jim Strouse
Script Supervisor:
Suzanne McGeachan
Second Assistant Camera:
Shun Otsubo
Sam Irwin
Set Decoration:
Maudie Andrews
Set Production Assistant:
Alex Critchley
Daisy Rodger
Songs:
Céline Dion
Sound Effects Editor:
Samuel Nacach
Sound Re-Recording Mixer:
Kyle O'Neal
Standby Art Director:
Andrew Howard
Standby Carpenter:
Steve Carling
Standby Painter:
Thea Von-Mantripp
Standby Rigger:
Jason O'Brien
Steadicam Operator:
Sebastian Barraclough
Still Photographer:
Giles Keyte
Storyboard Artist:
Jason Mayoh
Stunt Coordinator:
Mark Henson
Stunt Driver:
John Street
Supervising Art Director:
Astrid Sieben
Tailor:
Josephine Gilbert
Theme Song Performance:
Céline Dion
Third Assistant Director:
Thom McNally
Unit Production Manager:
Sam Breckman
Andrea Ajemian
VFX Supervisor:
Robert Grasmere
Jamie Wood
Video Assist Operator:
Guy McCormack
Visual Effects Compositor:
Matthew Bane
Visual Effects Producer:
Richard Ivan Mann
Abhishek More
Visual Effects Supervisor:
Luca Saviotti
Vocals:
Céline Dion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.