A work in constant progress (and occasional regress).
Release Date:
May 4, 2023
Original Title:
Love Again
Alternate Titles:
Aimer à nouveau
Amor a primer mensaje
It's All Coming Back to Me
Love Again
O Amor Mandou Mensagem
Text for You
Знову любов
Люби снова
寄往天堂的情书
短信情缘
缘来可以爱多次
重新再爱
Genres:
Comedy | Drama | Romance
Production Companies:
2.0 Entertainment
Screen Gems
Thunder Road
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 12+ DK: A ES: A FI: S FR: TP GB: 12A|12 IL: All LT: N-13 PL: 16 PR: PG-13 SE: Btl US: PG-13
Runtime: 104
Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.
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3D Artist:
Francesco Cricenti
ADR Mixer:
Jamison Rabbe
ADR Supervisor:
Arielle McGrail
Actor's Assistant:
Chanchal Dsouza
Animation:
Ramón Hamilton
Casey Balbontin
Art Department Assistant:
Sam Roelandts
Art Department Trainee:
Francis Scott
Art Direction:
Keely Lanigan-Atkins
Jan Gronczewski
Assistant Accountant:
Jeanette Tucker
Elisabeth Tucker
Assistant Art Director:
Jan Gronczewski
Assistant Chief Lighting Technician:
Bo Anthony
Assistant Costume Designer:
Dominika Mandic
Assistant Editor:
Nate Whiteside
Assistant Location Manager:
Charlotte Hemsley
Hannah McCarthy
Adam Sharp
Assistant Production Coordinator:
Victoria Griffin
Assistant Set Decoration:
Sophie Coombes
Assistant Sound Editor:
Adam Levin
Tran Hong-Thai
Best Boy Electric:
Paul Brewster
Best Boy Grip:
Tino Liverton
John Dwyer
Boom Operator:
Lee Grainge
Loveday Harding
Matt Kendall
CG Supervisor:
Eric Sanford
Camera Operator:
Sebastian Barraclough
Camera Trainee:
Maxim Dunn
Carpenter:
Alisdair McCabe
Kevin Williams
Ashley King
Tihamer Laszlo
Pete DiFrancesco
Casting:
Susie Figgis
Kirsty Kinnear
Chief Lighting Technician:
Shane D. Kelly
Color Assistant:
John Tripp
Compositing Lead:
Jason Melcher
Andrew Degryse
Amar Deshmukh
Atul Pacharne
Compositing Supervisor:
Stephen Olmos
Conductor:
Oleg Kondratenko
Construction Manager:
John Moolenschot
Costume Assistant:
Geanie Cussons
Costume Coordinator:
Cédric Andries
Costume Designer:
Annie Symons
Costume Supervisor:
Elizabeth Kirby
Costumer:
Rebecca Higginson
Nikki Connor
Crowd Assistant Director:
Mark Cockren
Digital Colorist:
Tim Stipan
Digital Compositor:
Marta Miceli
Maria Francesca Sputore
Alberto Francesco Tabanelli
Sara Tomarchio
Gaia Tradico
Tommy Williamson
Digital Imaging Technician:
Lincoln Benjamin
C.J. Miller
Director:
Jim Strouse
Director of Photography:
Andrew Dunn
Dolly Grip:
Nico Matinata
Editor:
Jesse Gordon
Electrician:
Jason Ashe
Wailoon Chung
Lewis James
Milo Cosemans
Executive In Charge Of Production:
Scott Strauss
Executive Producer:
Doug Belgrad
Sophie Cassidy
Louise Killin
Jonathan Fuhrman
Céline Dion
Dave Platel
Denis Savage
Executive Producer's Assistant:
Sylvie Beauregard
Finishing Producer:
Ray Horta
First Assistant Accountant:
Lei Hanaoka
Chad Clark
First Assistant Camera:
Tobias Eedy
Todd Schlopy
First Assistant Director:
Cordelia Hardy
Alexander H. Gayner
First Assistant Sound Editor:
Lee Grainge
Foley Artist:
Bogdan Zavarzin
Foley Editor:
Sergey Timoschuk
Andrey Medvedkov
Foley Mixer:
Rustam Gimadiyev
Gaffer:
Shane D. Kelly
Andy Long
Generator Operator:
Phil Baker
Graphic Designer:
Bilun Bilman
Grip:
Spencer Butcher
Jeremy Settles
Head Carpenter:
Derek Bellchamber
Sam Wells
Imaging Science:
John Quartel
Key Costumer:
Ciára James
Glynda Conway
Key Grip:
Jeremy Brussell
Simon Thorpe
Leadman:
Eric Shafer
James Zobrist
Libra Head Technician:
Ryan Turner
Location Assistant:
James Lay
Location Manager:
Adam Betterton
Dave Bell
Makeup & Hair:
Chloe Meddings
Scarlett McPherson
Music Arranger:
Dabney Morris
Music Editor:
Jaclyn Newman Dorn
Novel:
Sofie Cramer
On Set Dresser:
Doug Tait Jr.
Doug Tait Sr.
Yi-Hsuan Lin
Jesus Cortes
Brett Portzer
Orchestrator:
Dabney Morris
Original Music Composer:
Keegan DeWitt
Painter:
Ivan Hall
Dave Pearce
Tara Keller
Payroll Accountant:
Khoa Dong
James Payne
Producer:
Basil Iwanyk
Erica Lee
Esther Hornstein
Producer's Assistant:
Vivien Kenny
Production Accountant:
Mike DeSouza
Mary Fox
Production Assistant:
Hylarie Aguilar
Elijah Felix
Drew Hinrichsen
Monica Morgan
Halli Richards
Patrick Riglesberger
Alex Critchley
Geanie Cussons
Maxim Dunn
Camille Hatcher
Becky Livermore
Daisy Rodger
Francis Scott
Production Controller:
Marie Dong-Wilcock
Production Coordinator:
Sarah Unwin
Rebecca Brickey
Production Design:
Rebecca Milton
Production Secretary:
Dan Roe
Production Sound Mixer:
Tim Fraser
Chris Howland
Property Master:
Muffin Green
Nova May
Rigging Gaffer:
Warren Ewen
Roto Supervisor:
Nitin Shewale
Rotoscoping Artist:
Oriana Pioli Quero
Sahil Naikawadi
Aniket Salunkhe
Himanshu Dawande
Ruturaj Kudalkar
Scoring Mixer:
Matt Ward
Screenplay:
Jim Strouse
Script Supervisor:
Suzanne McGeachan
Shannon Kenny
Second Assistant Camera:
Sam Irwin
Shun Otsubo
Roger Spain
Second Assistant Director:
Sallie Hard
Mark Cockren
Christophe Le Chanu
Set Buyer:
Kay Mitchell
Set Decoration:
Maudie Andrews
Madelaine Frezza
Set Medic:
Derry Jarvis
Alexander Smith
Karen Strutynski
Trish Beckwith
Set Production Assistant:
Alex Critchley
Daisy Rodger
Songs:
Céline Dion
Sound Effects Editor:
Samuel Nacach
Sound Re-Recording Mixer:
Kyle O'Neal
Jeremy B. Davis
Special Effects Supervisor:
David Watkins
Stand In:
James Taylor
Fay Birch
Katie Singh
Obie Matthew
Standby Art Director:
Andrew Howard
Standby Carpenter:
Steve Carling
Standby Painter:
Thea Von-Mantripp
Standby Rigger:
Jason O'Brien
Steadicam Operator:
Sebastian Barraclough
Still Photographer:
Giles Keyte
Liam Daniel
Denise Truscello
Storyboard Artist:
Stephen Forrest-Smith
Stunt Coordinator:
Franklin Mark Henson
Stunts:
John Street
Supervising Art Director:
Astrid Sieben
Supervising Sound Editor:
Kami Asgar
Theme Song Performance:
Céline Dion
Third Assistant Director:
Thom McNally
Mac Montero
Transportation Captain:
Chloe DiCocco
Kelly Dugan
Truck Supervisor:
Sophie Howard
Unit Production Manager:
Andrea Ajemian
Sam Breckman
Unit Publicist:
Laura Pettitt
VFX Production Coordinator:
Grace McDonald
Video Assist Operator:
Guy McCormack
Alfred Ainsworth Jr.
Visual Effects:
Hugo Dominguez
Laura Murillo
Nic Greene
Den-Chai
Maria Francesca Sputore
Gaia Tradico
Abhilash Chaudhari
Amol Ransing
Balaji Gaikwad
Rojan Ghosalkar
Subhendu Mondal
Swapnil Chougule
Vishwajeet Nikam
Ian Johnston
Nikolas Brasselero
Jim Cruz
Mattia Marchegiano
Alberto Francesco Tabanelli
Giordano Saviotti
Akshay Patil
Anfas Cs
Darshan Bharne
Shivkumar Deshmukh
Suraj Mane
Vishal Badhe
Josh Bolin
Matthew Bane
Ido Banai
Marta Miceli
Sara Tomarchio
Chris Rogoski
Ambadas Kangare
Anirudha Kusalkar
Prince Kumar Chaurasia
Shubham Dudhawade
Suresh Choudhary
Vishal Gore
Visual Effects Compositor:
Matthew Bane
Visual Effects Coordinator:
Kimane Larry
Jessica Hawkins
Kiana Ajamzadeh
Pankaj Soni
Amar Goud
Abhishak Khade
Visual Effects Producer:
Richard Ivan Mann
Abhishek More
Kim Church
Virginia Cefaly
Sierra Siu
Ravindra Tamhankar
Raoul Bolognini
Christine McDermott
Visual Effects Production Manager:
Mohit Salunke
Brandon Steenhoek
Visual Effects Supervisor:
Luca Saviotti
Jamie Wood
Robert Grasmere
Raoul Bolognini
Culley Bunker
Jarrod Avalos
Vocals:
Céline Dion
Writer:
Andrea Wilson
Malte Welding
Karoline Herfurth
Sophie Kluge
Anika Decker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.