A work in constant progress (and occasional regress).
Release Date:
December 29, 2021
Original Title:
70 on vain numero
Genres:
Comedy
Production Companies:
Dionysos Films
Production Countries:
Finland
Ratings / Certifications:
BR: 14 DE: 12 FI: K-12 SE: 7
Runtime: 102
Seija Kuula is a superstar singer and an ageless goddess with a career spanning decades and decades. Problems start to arise when Seija falls in love with a younger guy and everybody around her seem to suffer from a bad case of baby fever. Seija orchestrates a masterplan to make everyone happy only to realize that one can not play with love. 70 Is Just a Number is a warm and humorous coming-of-age story – at 70.
Additional Lighting Technician:
Joonas Saine
Assistant Director:
Heli Karppinen
Colorist:
Pentti Keskimäki
Costume Design:
Annette Tamminen
Digital Imaging Technician:
Tuomas Kaisti
Director:
Johanna Vuoksenmaa
Director of Photography:
Heikki Färm
Dramaturgy:
Kati Royle
Editor:
Jojo Erholtz
First Assistant Camera:
Mika Ailasmäki
Elina Eränen
Foley Artist:
Tapio Liukkonen
Gaffer:
Janne Jääskeläinen
Key Grip:
Riku Roimu
Lighting Technician:
Petri Kyttälä
Location Manager:
Klaus Klemola
Location Scout:
Klaus Klemola
Makeup Designer:
Hannele Herttua
Online Editor:
Eero Seppänen
Original Music Composer:
Kerkko Koskinen
Producer:
Nina Laurio
Riina Hyytiä
Production Design:
Päivi Kettunen
Production Manager:
Timo Lahtinen
Production Sound Mixer:
Anssi Kainulainen
Second Assistant Camera:
Asko Agge
Sound Designer:
Kirka Sainio
Sound Editor:
Kirka Sainio
Sound Re-Recording Mixer:
Olli Pärnänen
Kirka Sainio
Still Photographer:
Johanna Vuoksenmaa
Stunt Coordinator:
Jouni Kivimäki
VFX Artist:
Pedro Furet
Tero Malinen
Writer:
Johanna Vuoksenmaa
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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