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All Is One. Except 0 (2020) [N/A]

Release Date:
October 4, 2020

Original Title:
Alles ist eins. Außer der 0.

Alternate Titles:
Alles ist Eins. Außer der 0.
Everything is one. Except for the 0

Genres:
Documentary

Production Companies:
Interzone Pictures
NDR

Production Countries:
Germany

Ratings / Certifications:
DE: 6 

Runtime: 90

Overview from TheMovieDB

In 1981, Wau Holland and other hackers established the Hamburg based Chaos Computer Club (CCC). The idiosyncratic freethinkers were inspired by Californian technology visionaries and committed themselves to hacker ethics. All information must be free. Use public data, protect private data. But not everyone followed the rules. Computer technology was still in its infancy and the emerging Internet became a projection screen for social utopias. What has become of them? The story of the German hackers, told by the protagonists themselves in a montage of found video and audio material.

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Trailer

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Performers

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Production

Art Designer:
Birgit Voss

Camera Operator:
Hervé Dieu

Costume Design:
Jeanette Schlecht

Director:
Klaus Maeck
Tanja Schwerdorf

Director of Communications:
Timo Großpietsch

Editor:
Andreas Grützner

Lighting Technician:
Mark Warneke
Malte Ross

Line Producer:
Tina Mersmann

Music:
Alexander Hacke

Producer:
Klaus Maeck

Script:
Klaus Maeck
Tanja Schwerdorf

Sound:
Tino Selengia

Sound Designer:
Nico Berthold

Sound Re-Recording Mixer:
Ralph Thiekötter

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.