A work in constant progress (and occasional regress).
Release Date:
October 27, 2005
Original Title:
Cuento de Navidad
Alternate Titles:
Conte de Noël
Films to Keep You Awake: A Christmas Tale
Películas para no dormir: «Cuento de Navidad»
Poveste de Craciun
Świąteczna opowieść
Новогодняя история
Genres:
Drama | TV Movie | Thriller
Production Companies:
Castelao Productions
Estudios Picasso
Filmax
Telecinco Cinema
Production Countries:
Spain
Ratings / Certifications:
ES: 12 US: PG-13
Runtime: 75
Cubelles, Tarragona, Spain, Christmas 1985. Five friends make an unexpected discovery in the forest: a woman disguised as Santa Claus trapped in a deep hole dug in the middle of nowhere.
Art Direction:
Gemma Fauria
Assistant Director:
Sergi Ruiz
Boom Operator:
Carlos Lidón
Casting:
Pep Armengol
Colorist:
Pepe Abellán
Costume Designer:
Glòria Viguer
Delegated Producer:
Belén Atienza
Elena Manrique
Digital Effects Supervisor:
Jordi San Agustín
Director:
Paco Plaza
Director of Photography:
Javier Salmones
Editor:
David Gallart
Editorial Coordinator:
Chicho Ibáñez Serrador
Executive Producer:
Santiago Gimeno
Carlos Fernández
Aitor Montánchez
Gaffer:
Toni Puertas
Hairstylist:
Imma Pérez
Key Grip:
Mundo Mulero
Location Manager:
Xavier Resina
Main Title Theme Composer:
Roque Baños
Makeup Artist:
José Quetglás
Original Music Composer:
Mikel Salas
Producer:
Álvaro Augustin
Julio Fernández
Production Director:
Oriol Maymó
Production Manager:
Alberto Álvarez
Property Master:
Elis Ferrer
Screenplay:
Luiso Berdejo
Script Supervisor:
Anna Vilà Parera
Second Assistant Director:
Juantxo Grafulla
Sound Editor:
Oriol Tarragó
Sound Recordist:
Ferran Mengod
Special Effects Coordinator:
Laura Maynadé
Still Photographer:
Gustavo López
Stunt Coordinator:
Tony Higueruelo
Thanks:
Mateo Gil
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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