A work in constant progress (and occasional regress).
Release Date:
January 1, 2020
Original Title:
The Last Artifact
Alternate Titles:
Measuring Mass: The Last Artefact
Genres:
Documentary
Production Companies:
KUSM-TV
Montana PBS
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 60
Just outside Paris, France, inside a high-tech vault, requiring three independently controlled keys, rests a small metallic cylinder about the diameter of a golf ball. Encased within three vacuum-sealed bell jars it may not look like much, but it is one of the most important objects on the planet. It affects nearly every aspect of our lives from the moment we are born, to the food we eat, the cars we drive, and even the medicines we take. The Last Artifact follows the high-stakes race to redefine the weight of the world reveals the untold story of one of the most important objects on the planet. The kilogram, the base unit of mass in the International System of Units, helped send humans to the moon and satellites into space. This small hunk of metal is the object against which all others are measured. Yet over time, its mass mysteriously eroded by the weight of an eyelash. A change that, unbeknownst to most, unleashed a crisis with potentially dire consequences.
Director:
Jaime Jacobson
Ed Watkins
Executive Producer:
Aaron Pruitt
Producer:
Jaime Jacobson
Ed Watkins
Writer:
Ed Watkins
Stefanie Watkins
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.